Criticism > Contemporary Literary Criticism > Williams, Tennessee (Vol. 30) - Richard Watts, Jr.
Williams, Tennessee (Vol. 30) - Richard Watts, Jr.
RICHARD WATTS, JR.
[The essay from which this excerpt is taken originally appeared in The New York Post, December 4, 1947.]
[A Streetcar Named Desire] is a feverish, squalid, tumultuous, painful, steadily arresting and oddly touching study of feminine decay along the lower Mississippiā¦. Mr. Williams is an oncoming playwright of power, imagination and almost desperately morbid turn of mind and emotion. In his latest work to reach Broadway, the dramatist is telling the story of a doomed Southern girl who seems startlingly like what the foolish old mother of his previous drama, "The Glass Menagerie," might well have been at a similar age. Hers, to put it mildly, is not a pleasant life story. Essentially a romantic and dreamy young woman, it is her fate to represent in her frail spirit the decline and fall of a long line of decadent Southern aristocrats, and, for all her sentimental imagination, she ends as a simpering, witless...
[The entire page is 402 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Howard Barnes
- Richard Watts, Jr.
- Louis Kronenberger
- Wolcott Gibbs
- Kappo Phelan
- Joseph Wood Krutch
- John Mason Brown
- Rosamond Gilder
- Harry Taylor
- Harold Clurman
- George Jean Nathan
- W. David Sievers
- Eric Bentley
- Joseph Wood Krutch
- Kenneth Tynan
- John Gassner
- C. N. Stavrou
- Winifred L. Dusenbury
- Marion Magid
- Robert B. Heilman
- R. H. Gardner
- Leonard Berkman
- Martin Gottfried
- Harold Clurman
- Leonard Quirino
- Normand Berlin
- Copyright
