Welty, Eudora (Vol. 105) | Suzanne Marrs (essay date October 1986)
Suzanne Marrs (essay date October 1986)
SOURCE: "The Metaphor of Race in Eudora Welty's Fiction," in The Southern Review, Vol. 22, No. 4, October, 1986, pp. 697-707.
[In the following essay, Marrs discusses certain aspects of African-American culture that Welty portrays in Delta Wedding and The Golden Apples including: "separateness despite intimate contact, a consequent and paradoxical freedom from white conventions, and a once common belief in ghosts and magic potions."]
During the 1930s and early 1940s Eudora Welty was almost as busy with her camera as with her typewriter. She photographed scenes and faces, tried to sell a book of her pictures, and gave a one-woman photographic show in New York City. A primary subject of these photographs was black life in Mississippi: a fortune teller in exotic costume, bottle trees designed to ward off evil spirits, a slave apron with a whole mythology stitched upon it, a black state...
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