Criticism > Contemporary Literary Criticism > Wasserstein, Wendy (Vol. 183) - Stefan Kanfer (review date 7 November 1994)
Wasserstein, Wendy (Vol. 183) - Stefan Kanfer (review date 7 November 1994)
Stefan Kanfer (review date 7 November 1994)
SOURCE: Kanfer, Stefan. “Past Imperfect.” New Leader 77, no. 11 (7 November 1994): 22-3.
[In the following excerpt, Kanfer reviews a revival of Uncommon Women and Others, situating his assessment in light of Wasserstein's accomplishments since the play's original premiere.]
Wendy Wasserstein has yet to become a Nobel Laureate. But she has been given just about every other honor: the Pulitzer Prize, plus the Tony, New York Drama Critics Circle, Drama Desk, and Outer Circle awards. All these kudos lead to two possible conclusions: Either Wasserstein is one of the most original and brilliant talents of our age, or contemporary theatrical standards are so debased that a sitcom writer can be elevated to superstar status. The latter seems more accurate to me.
In her two big hits, The Heidi Chronicles and The Sisters Rosensweig, the playwright created a new, self-mocking...
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- Introduction
- Principal Works
-
Criticism
- Wendy Wasserstein and Esther Cohen (interview date August 1987)
- Gerald Weales (review date 5 May 1989)
- Joanne Kirschner (review date 1990)
- Kate Davy (review date March 1990)
- Helene Keyssar (essay date March 1991)
- Wendy Wasserstein and The Playwright's Art (interview date 9 October 1991)
- Alex Raksin (review date 30 May 1993)
- Sheridan Morley (review date 20 August 1994)
- Stefan Kanfer (review date 7 November 1994)
- Richard Donahue (essay date 22 April 1996)
- Ilene Cooper (review date 1 June 1996)
- Stefan Kanfer (review date 7 April 1997)
- Claudia Barnett (review date December 1997)
- Stephen J. Whitfield (essay date 1997)
- Jan Balakian (essay date 1999)
- David Shengold (review date March 2000)
- Publishers Weekly (review date 23 April 2001)
- Miriam M. Chirico (essay date 2001)
- Further Reading
- Copyright
