Criticism > Contemporary Literary Criticism > Wasserstein, Wendy (Vol. 183) - Gerald Weales (review date 5 May 1989)
Wasserstein, Wendy (Vol. 183) - Gerald Weales (review date 5 May 1989)
Gerald Weales (review date 5 May 1989)
SOURCE: Weales, Gerald. “Prize Problems: Chronicles & Cocktail Hour.” Commonweal 116, no. 9 (5 May 1989): 279-80.
[In the following review, Weales highlights the weaknesses of The Heidi Chronicles, examining the effects of its protagonist's flat characterization on the whole play.]
Wendy Wasserstein's The Heidi Chronicles began as a workshop production at the Seattle Repertory Theatre; then, shepherded by the Seattle Rep's Daniel Sullivan, it moved to a well-received off-Broadway debut and then to Broadway; it has now been blessed by the Pulitzer Prize committee. It is a typical American-theater success story of the 1980s, but I have trouble working up much enthusiasm for its triumphant journey.
The Heidi of the title is an art historian, a presumably intelligent and sensitive woman who moves from 1965 to 1989, picking her way through the ideational thickets of...
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- Introduction
- Principal Works
-
Criticism
- Wendy Wasserstein and Esther Cohen (interview date August 1987)
- Gerald Weales (review date 5 May 1989)
- Joanne Kirschner (review date 1990)
- Kate Davy (review date March 1990)
- Helene Keyssar (essay date March 1991)
- Wendy Wasserstein and The Playwright's Art (interview date 9 October 1991)
- Alex Raksin (review date 30 May 1993)
- Sheridan Morley (review date 20 August 1994)
- Stefan Kanfer (review date 7 November 1994)
- Richard Donahue (essay date 22 April 1996)
- Ilene Cooper (review date 1 June 1996)
- Stefan Kanfer (review date 7 April 1997)
- Claudia Barnett (review date December 1997)
- Stephen J. Whitfield (essay date 1997)
- Jan Balakian (essay date 1999)
- David Shengold (review date March 2000)
- Publishers Weekly (review date 23 April 2001)
- Miriam M. Chirico (essay date 2001)
- Further Reading
- Copyright
