Criticism > Contemporary Literary Criticism > Walcott, Derek (Vol. 160) - Copyright Page

Project Editor

Janet Witalec

Editorial

Tom Burns, Jenny Cromie, Kathy D. Darrow, Madeline S. Harris, Jeffrey W. Hunter, Justin Karr, Ellen McGeagh

Research

Nicodemus Ford, Sarah Genik, Tamara C. Nott, Tracie A. Richardson

© 2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc.

Gale and Design™ and Thomson Learning™ are trademarks used herein under license.

For more information, contact

The Gale Group, Inc. 27500 Drake Rd. Farmington Hills, MI 48331-3535 Or you can visit our internet site at http://www.gale.com

ALL RIGHTS RESERVED

No part of this work covered by the copyright herein may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution, or information storage retrieval systems—without the written permission of the publisher.

Contemporary Literary Criticism, Vol. 160

Permissions

Kim Davis

Imaging and Multimedia

Robert Duncan, Leitha Etheridge-Sims, Lezlie
Light, Dave Oblender, Kelly A. Quin

Product Design

Michael Logusz

This publication is a creative work fully

protected by all applicable copyright laws, as

well as by misappropriation, trade secret,

unfair competition, and other applicable laws.

The authors and editors of this work have

added value to the underlying factual mate

rial herein through one or more of the fol

lowing: unique and original selection,

coordination, expression, arrangement, and

classification of the information.

For permission to use material from the

product, submit your request via the Web at

http://www.gale-edit.com/permissions, or you

may download our Permissions Request form

and submit your request by fax or mail to:

Permisssions Department

The Gale Group, Inc.
27500 Drake Rd.
Farmington Hills, MI 48331-3535
Permissions Hotline:
248-699-8006 or 800-877-4253, ext. 8006
Fax 248-699-8074 or 800-762-4058

Composition and Electronic Capture

Carolyn Roney

Manufacturing

Stacy L. Melson

Since this page cannot legibly accommodate all copyright notices, the acknowledgments constitute an extension of the copyright notice.

While every effort has been made to secure permission to reprint material and to ensure the reliability of the information presented in this publication, the Gale Group neither guarantees the accuracy of the data contained herein nor assumes any responsibility for errors, omissions or discrepancies. Gale accepts no payment for listing; and inclusion in the publication of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions.

LIBRARY OF CONGRESS CATALOG CARD NUMBER 76-46132

ISBN 0-7876-5956-8
ISSN 0091-3421

Printed in the United States of America 10987654321

COPYRIGHTED MATERIAL IN CLC, VOLUME 160, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Poetry Review, v. 26, May-June, 1997; v. 28, September-October, 1999. Both reproduced by permission.— Antioch Review, v. 54, Spring, 1996. Reproduced by permission.—Atlantic Monthly, v. 271, June, 1993 for “An Artist of American Violence” by Jack Miles. Copyright © 1993 by Jack Miles. Reproduced by permission of Georges Borchardt, Inc., for the author.—Boston Review, v. 18, October-November, 1993. Reproduced by permission.—Chronicle of Higher Education, v. 45, January 15, 1999. Reproduced by permission.—Commonweal, September 13, 1991; August 13, 1993. Both reproduced by permission.—Critique, v. 43, Fall, 2001. Reproduced by permission.—English Journal, December, 1994. Reproduced by permission.—Georgia Review, v. 50, Winter, 1998; v. 54, Spring, 2000. Both reproduced by permission.—Kenyon Review, v. 23, Winter, 2001. Reproduced by permission.—Latin American Perspectives, v. 18, Summer, 1991; v. 22, Fall, 1995; v. 25, November, 1998; v. 26, November, 1999. Copyright © 1991, 1995, 1998, 1999 by Latin American Perspectives, Inc. All reprinted by permission of Sage Publications, Inc.—The Literary Review, v. 31, Spring, 1988; v. 39, Spring, 1996. Both reproduced by permission.—London Review of Books, December 11, 1997 for “Fanfares,” by Ian Sansom. This article first appeared in the London Review of Books. www.lrb.co.uk./July 11, 1991 for “Paradise Lost,” by Nicholas Everett. This is an edited version of an article that appeared in the London Review of Books. www.lrb.co.uk. Reproduced by permission.—Los Angeles Times Book Review, May 5, 1985; March 3, 1991; February 28, 1993; September 28, 1997. All reproduced by permission.—Los Angeles Times Magazine, January, 1994. Reproduced by permission.—Massachusetts Review, v. 29, Spring, 1988; v. 41, Spring, 2000. © 1988, 2000 The Massachusetts Review, Inc. Both reproduced by permission.—NACLA Report on the Americas, v. 32, March-April. Reproduced by permission.—The Nation, February 15, 1993; v. 268, 1999; June 25, 2001. All reproduced by permission.—The New Criterion, v. 17, June, 1999; v. 18, June, 2000; v. 19, June, 2001. All reproduced by permission.—New Leader, September 8, 1997. Reproduced by permission.—New Republic, October 29, 1990; June 3, 1991; December 15, 1997; March 8, 1999. Reproduced by permission.—New Statesman, July 6, 1984; August 15, 1997. Both reproduced by permission.—New Statesman and Society, February 2, 1990; October 5, 1990; July 21, 1995. All reproduced by permission.—New York Review of Books, March 27, 1997; April 8, 1999; May 11, 2000. All reproduced by permission.—North American Review, v. 279, July-August, 1994. Reproduced by permission.—Parnassus, v. 17-18, February, 1993. Reproduced by permission.—PMLA: Publications of the Modern Language Association of America, v. 112, May, 1997. Reproduced by permission.—Prairie Schooner, v. 75, Summer, 2000. Reproduced by permission.—The Progressive, January, 1993; October, 1998. Both reproduced by permission.—Raritan, v. 10, Winter, 1994. Reproduced by permission.—Review of Contemporary Fiction,

v. 18, Spring, 1998; v. 21, Spring, 2001. Both reproduced by permission.—Salmagundi, Fall-Winter, 1999. Reproduced by permission.—Sewanee Review, v. 107, Winter, 1999. Copyright 1999 by the University of the South. Reprinted with the permission of the editor.—South Carolina Review, v. 33, Fall, 2000. Reproduced by permission.—Southwest Review, v. 84, 1999. Reproduced by permission.—Studies in Short Fiction, v. 30, Summer, 1993. Reproduced by permission.—Times Literary Supplement, August 2, 1991; July 2, 1993; May 16, 1997; September 19, 1997; July 16, 1999; July 30, 1999; October 1, 1999; September 15, 2000. All reproduced by permission.—Virginia Quarterly Review, v. 74, Summer, 1998. Reproduced by permission.—The Washington Post, January 21, 1999 for “Noble Winner’s Work Disputed; Scholar Claims Guatemalan Exaggerated Her Horrifying Story,” by Molly Moore. © 1999 The Washington Post. Reproduced by permission.—The Washington Post Book World, July 26, 1998 for “Memories of the Struggle,” by Pamela Constable. © 1998 The Washington Post. Reproduced by permission.—Women and Language, v. 13, Fall, 1990. Reproduced by permission.— Women’s Review of Books, September, 1998 for “Eyes on the Prizewinner,” by Margaret Randall. Reproduced by permission of the author.—World Literature Today, v. 67, Spring, 1993; v. 68, Winter, 1994; v. 71, Winter, 1997; v. 72, Winter, 1998; v. 73, Spring, 1999; v. 74, Autumn, 2000. All reproduced by permission.

COPYRIGHTED MATERIAL IN CLC, VOLUME 160, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Dodd, Elizabeth. From “Louise Glück: The Ardent Understatement of Postconfessional Classicism,” in The Veiled Mirror and the Woman Poet: H. D., Louise Bogan, Elizabeth Bishop, and Louise Glück. University of Missouri Press, 1992. Copyright © 1992 by University of Missouri Press. All rights reserved. Reproduced by permission.—Keller, Lynn. From “‘Free/of Blossom and Subterfuge’: Louise Glück and the Language of Renunciation,” in World, Self, Poem: Essays on Contemporary Poetry from the “Jubilation Poets.” The Kent State University Press, 1990. Copyright © 1990 by The Kent State University Press. All rights reserved. Reproduced by permission.—Thieme, John. From “Critical Overview and Conclusion,” in Derek Walcott. Manchester University Press, 1999. Copyright © 1999 by Manchester University Press. All right reserved. Reproduced by permission.—Treacy, Mary Jane. From “Rigoberta Menchu´: The Art of Rebellion,” in A Dream of Light and Shadow. University of New Mexico Press, 1995. © 1995 by the University of New Mexico Press. Reproduced by permission.—Upton, Lee. From “Fleshless Voices: Louise Glück’s Rituals of Abjection and Oblivion,” in The Muse of Abandonment: Origin, Identity, Mastery in Five American Poets. Bucknell University Press, 1998. Copyright © 1998 by Bucknell University Press. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CLC, VOLUME 160, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Glück, Louise, photograph. AP/Wide World Photos. Reproduced by permission.—Gordimer, Nadine, photograph by Wyatt Counts. AP/Wide World Photos, Inc. Reproduced by permission.—Menchu´, Rigoberta, Guatemala City, Guatemala, 1992, photograph by Daniel Hernandez. AP/Wide World Photos. Reproduced by permission.—Momaday, N. Scott, photograph. AP/Wide World Photos. Reproduced by permission.—Walcott, Derek, photograph. Liaison Agency. Reproduced by permission.

Dr. Toby Burrows Mary Jane Marden

Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

Mark Schumacher David M. Durant

Jackson Library Reference Librarian, Joyner Library

East Carolina University University of North Carolina at Greensboro

Steven R. Harris Gwen Scott-Miller

English Literature Librarian Fiction Department Manager University of Tennessee Seattle Public Library