Criticism > Contemporary Literary Criticism > Vidal, Gore (Vol. 142) - John Bayley (review date 15 May 1997)
Vidal, Gore (Vol. 142) - John Bayley (review date 15 May 1997)
John Bayley (review date 15 May 1997)
SOURCE: “Class Act,” in New York Review of Books, May 15, 1997, pp. 45-8.
[In the following review, Bayley offers a positive evaluation of Palimpsest.]
One of the many fascinating photographs in Palimpsest, perhaps indeed the most fascinating of the lot, is of the author’s grandfather, Senator Thomas Pryor Gore, having his portrait painted in old age. Reticently distinguished, the subject sits in his chair, ignoring the canvas, a remarkable likeness of him on a properly heroic scale, and presided over by the artist, Azadia Newman, whom we learn was soon to be married to the film director Rouben Mamoulian. The expression on her beautiful face, with its plucked eyebrows, is quite deadpan. Like a portraitist of the Renaissance she is doing her job, and has no special feelings about it or the sitter. But the photograph seems a revelation not only of the society in which Gore Vidal grew up—a...
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Criticism
- Carolyn See (review date 14 January 1990)
- Richard Reeves (review date 18 February 1990)
- Catharine R. Stimpson (essay date Fall 1991)
- Hilary Mantel (review date 16 November 1991)
- Mary Lefkowitz (review date 6 December 1991)
- John Rechy (review date 13 September 1992)
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- Diane Johnson (review date 8 April 1993)
- Jonathan Raban (review date 23 May 1993)
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- James McCourt (review date 1 October 1995)
- Bevis Hillier (review date 14 October 1995)
- Hugh Brogan (review date 27 October 1995)
- John Simon (review date December 1995)
- Marvin J. LaHood (review date Summer 1996)
- John Bayley (review date 15 May 1997)
- Rupert Christiansen (review date 30 August 1997)
- Merle Rubin (review date 15 March 1998)
- Keith Miller (review date 16 October 1998)
- D. J. Taylor (review date 24 October 1998)
- Christopher Hitchens (review date 22 April 1999)
- Sylvia Brownrigg (review date 30 April 1999)
- Marvin J. LaHood (review date Winter 2000)
- Don Fletcher and Kate Feros (essay date March 2000)
- Hugo Barnacle (review date 6 November 2000)
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