Vidal, Gore (Vol. 142) - Copyright Page

ISSN 0091-3421

Volume 142

Contemporary Literary Criticism

Criticism of the Works of Today’s Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers

Jeffrey W. Hunter

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of CLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN CLC, VOLUME 142, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Historical Review, v. 102, June, 1997. Reproduced by permission.—American Literature, v. 65, March, 1993. Reproduced by permission.—American Poetry Review, v. 24, September-October, 1995. Reproduced by permission.— American Quarterly, v. 46, June, 1994. © 1994 American Studies Association. Reproduced by permission.—The American Scholar, v. 60, Autumn, 1991. Copyright © 1991 by the United Chapters of the Phi Beta Kappa Society. Reproduced by permission of the publishers.—Artforum, v. xxxiii, January, 1995. Reproduced by permission.—The Bloomsbury Review,

  • v. 15, July-August, 1995. Copyright © by Owaissa Communications Company, Inc. 1995. Reproduced by permission of the author.—Book World–The Washington Post, January 14, 1990; September 20, 1992. Copyright © 1990 and 1992 by Washington Post Book World Service/Washington Post Writers Group. Reproduced by permission of the author.— Boundary 2, v. 23, Fall, 1996. Copyright © 1996 Duke University Press. Reproduced by permission.—British Journal of Aesthetics, v. 29, Winter, 1989; v. 32, April, 1992. Reproduced by permission.—Canadian Review of American Studies, v. 27, 1997. Copyright © 1997 by Canadian Review of American Studies. Reproduced by permission of the publisher.— Chicago Review, Summer-Fall, 1999. Copyright © 1999 by Chicago Review. Reproduced by permission.—The Christian Science Monitor, May 14, 1986; v. 82, November 27, 1989.Copyright © 1986 and 1989 by The Christian Science Publishing Society. All rights reserved. Reproduced by permission from The Christian Science Monitor.—CLIO, v. 25, Winter, 1996. Copyright © 1996 by Purdue Research Foundation. Reproduced by permission.—College Literature, v. 20, June, 1993. Copyright © West Chester University 1993. Reproduced by permission.—Commentary, v. 97, February, 1994. Copyright © 1994 by the American Jewish Committee. All rights reserved. Reproduced by permission of the publisher and the author.—Commonweal, November 6, 1992. Reproduced by permission.—Comparative Literature Studies, v. 32, Fall, 1995. Copyright © 1995 The Pennsylvania University. Reproduced by permission.—Contemporary Review, v. 238, June, 1981. Reproduced by permission.—Criticism, v. xxii, Fall, 1980; v. xxiii, Spring and Fall, 1981. Copyright © 1980 and 1981 by Wayne State University Press. Reproduced by permission.—Diacritics, v. 22, Spring, 1992. Reproduced by permission.—Dissent, Spring, 1990. © 1990 by Dissent Publishing Corporation. Reproduced by permission of the publisher and the author.—Essays in Criticism, v. xl, October, 1990. Reproduced by permission.—The Journal of Aesthetics and Art Criticism, v. 32, Summer, 1974; v. 48, Summer, 1990; v. 49, Fall, 1991. Copyright © 1974, 1990 and 1991 by The American Society for Aesthetics. Reproduced by permission of Blackwell Publishers.—Journal of English and German Philology, v. 68, July, 1969; v. 72, October, 1973; v. 78, April, 1979. Reproduced by permission.—Journal of Modern Literature, v. 16, Fall 1988 & Winter 1989. Reproduced by permission.—Journalism Quarterly, v. 71, Summer, 1994. Reproduced by permission.—The Library Quarterly, v. 61, October, 1991. Copyright © 1991 by The University of Chicago. Reproduced by permission.—London Review of Books, July 27, 1989; June 9, 1994; v. 17, November 16, 1995. Appears here by permission of the London Review of Books and the author.—Los Angeles Times Book Review, November 5, 1989; February 18, 1990; September 13, 1992; May 23, 1993; October 1, 1995; March 15, 1998. Copyright © 1989 by the Los Angeles Times. Reproduced by permission.—MLN, v. 104, December, 1989. Reproduced by permission.—Modern Drama, v. xlii, Summer, 1999. Reproduced by permission.—Modern Fiction Studies, v. 26, Summer, 1980; v. 38, Winter, 1992. Copyright © 1980 and 1992 by Purdue Foundation. All rights reserved. Reproduced by permission.—Modern Language Review, v. 69, July, 1974; v. 77, October, 1982; v. 80, January, 1985; v. 87, January, 1992; v. 89, January, 1994;
  • v. 92, April, 1997; v. 93, January, 1998. Copyright © 1974, 1982, 1985, 1992, 1994, 1997 and 1998 by Modern Humanities Research Association 1974. Reproduced by permission of the publisher.—Modern Philology, v. 80, August, 1982; v. 94, February, 1997. Copyright © 1982 and 1997 by The University of Chicago. Reproduced by permission.—Modernism/ modernity, v. 6, January, 1999. © 1999 The Johns Hopkins University Press. Reproduced by permission.—Mosaic, v. 33, March, 2000. © 2000 Mosaic. Acknowledgment of previous publication is herewith made. Reproduced by permission.— The Nation, New York, October 15, 1990; January 31, 1994; May 29, and v. 261, December 18, 1995. Copyright © 1990, 1994 and 1995 by The Nation Magazine/The Nation Company, Inc. Reproduced by permission.—National Review, Febru

    • ary 7, 2000. Copyright © 2000 by National Review, Inc, 215 Lexington Avenue. New York, NY 10016. Reproduced by permission.—The New Criterion, v. 14, December, 1995. Copyright © 1995 by The Foundation for Cultural Review. Reproduced by permission of the author.—New England Review, v. 14, Fall, 1991. Reproduced by permission.—The New Republic, February 14, 1981; February 19, 1990; October 5, 1992; December 6, 1993. Copyright © 1981, 1990, 1992 and 1993 by The New Republic, Inc. Reproduced by permission of The New Republic.—New Statesman, November 16, 1973; August 29, 1986; March 15, 1991; November 6, 1992; October 8, 1993; October 27, and December 8, 1995; February 26, 1999; November 6, 2000. Copyright © 1973, 1986, 1991, 1992, 1993, 1995, 1999 and 2000. Statesman & Nation Publishing Company Limited. Reproduced by permission.—New York, May 31, 1993. Reproduced by permission.—The New York Review of Books, v. 28, December 17, 1981; v. 36, November 9, 1987; April 8, 1993; v. 42, February 2, 1995; v. 43, January 11, 1996 and v. 43, May 23, 1996; May 15, 1997; April 22, 1999. Copyright © 1981, 1987, 1993, 1995, 1996, 1997 and 1999 by Nyrev, Inc. Reproduced with permission from The New York Review of Books. —The Observer Review, February 7, 1999. Reproduced by permission of The Observer Limited, London.—Parnassus, v. 12, Fall-Winter, 1984. Copyright © 1984 Poetry in Review Foundation, NY. Reproduced by permission.—Performing Arts Journal, v. 11, Winter, 1989. Reproduced by permission.—Publishers Weekly, v. 236, October 27, 1989. Copyright 1989 by Reed Publishing USA. Reproduced from Publishers Weekly, published by the Bowker Magazine Group of Cahners Publishing Co., a division of Reed Publishing USA., by permission.—Raritan, v. 11, Winter, 1992. Copyright © 1992 by Raritan: A Quarterly Review. Reproduced by permission.—Review of Contemporary Fiction, v. 10, 1990. Reproduced by permission.—The Review of Politics, v. 57, Spring, 1995. Copyright © 1995 by the University of Notre Dame. Reproduced by permission.—Salmagundi, n. 111, Summer, 1996. Copyright © 1996 by Skidmore College. Reproduced by permission.— Southern Humanities Review, v. 21, Summer, 1987. Copyright 1987 by Auburn University. Reproduced by permission.— The Spectator, London, November 16, 1991; October 10, and November 28, 1992; October 9, 1993; October 14, 1995; August 30, 1997; October 24, 1998; v. 282, March 27, 1999. Copyright © 1991, 1992, 1993, 1995, 1997, 1998 and 1999 by The Spectator. Reproduced by permission of The Spectator.—Sulfur, v. 30, Spring, 1992; v. 36, Spring, 1995. Copyright © 1992 and 1995 by Sulfur. Reproduced by permission.—Times Literary Supplement, September 20, 1988; May 24 and December 16, 1991;October 2, 1992; November 5, 1993; July 29, 1994; November 24, 1995; October 16, 1998; April 30, April 30 and August 20, 1999; February 25, 2000. Copyright © The Times Supplements Limited 1988, 1991, 1992, 1993, 1994, 1995, 1998, 1999 and 2000. Reproduced from The Times Literary Supplement by permission.—West Coast Review of Books, v. 15, November-December, 1989. Copyright 1989 by Rapport Publishing Co., Inc. Reproduced by permission.— Wilson Quarterly, v. 18, Spring, 1994. Reproduced by permission.—World Literature Today, v. 61, Winter, 1987; v. 64, Winter and v. 64, Autumn, 1990; v. 65, Spring, 1991; v. 67, Spring and v. 67, Autumn, 1993; v. 70, Summer, 1996; v. 74, Winter, 2000. Copyright © 1987, 1990, 1991, 1993, 1996 and 2000 University of Oklahoma Press. Reproduced by permission of the publisher.

    COPYRIGHTED EXCERPTS IN CLC, VOLUME 142, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

    Altieri, Charles. From “The Transformations of Objectiviism: An Afterword,” in The Objectivist Nexus: Essays in Cultural Poetics. Edited by Rachel Blau DuPlessis and Peter Quatermain. University of Alabama Press, 1999. Copyright © 1999 The University of Alabama Press. All rights reserved. Reproduced by permission.—Carravetta, Peter. From “The Reasons of the Code: Reading Eco’s ‘A Theory of Semiotics’,” in Cultural Semiosis: Tracing the Signifier. Edited by Hugh J. Silverman. Routledge, 1998. Copyright © 1998 by Routledge. All rights reserved. Reproduced by permission.—McGann, Jerome. From “Charles Bernstein’s ‘The Simply’,” in Contemporary Poetry Meets Modern Theory. Edited by Anthony Easthope and John O. Thompson. University of Toronto Press, 1991. © 1991 Jerome McGann. All rights reserved. Reproduced by permission.—Perloff, Marjorie. From The Dance of the Intellect: Studies in the Poetry of the Pound Tradition. Cambridge University Press, 1985. © Cambridge University Press 1985. Reproduced by permission.—Scalapino, Leslie. From “Pattern—and the ‘Simulacral,’” in Artiface & Indeterminacy: An Anthology of New Poetics. Edited by Christopher Beach. University of Alabama Press, 1998. Copyright © 1998 The University of Alabama Press. All rights reserved. Reproduced by permission.—Shetley, Vernon. From After the Death of Poetry: Poet and Audience in Contemporary America. Duke University Press, 1993. © 1993 Duke University Press. All rights reserved. Reproduced by permission.

    PHOTOGRAPHS APPEARING IN CLC, VOLUME 142, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Bernstein, Charles, photograph. Reproduced by permission.—Eco, Umberto, photograph. © Peter Turnley/Corbis. Reproduced by permission.—Fish, Stanley Eugene, photograph. Reproduced by permission.—Vidal, Gore, in a scene from the film Gattaca, 1997, photograph by Darren Michaels. The Kobal Collection. Reproduced by permission.