Updike, John (Vol. 139) - Copyright Page
ISSN 0091-3421
Volume 139
Contemporary Literary Criticism
Criticism of the Works of Today’s Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers
Jeffrey W. Hunter
SENIOR EDITOR
Justin Karr
EDITOR
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Acknowledgments
The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of CLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED EXCERPTS IN CLC, VOLUME 139, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:
Acta Litteraria, v. 30, 1988. Reproduced by permission.—American Literature, v. 61, October, 1989. Copyright © 1989 by Duke University Press. All rights reserved. Reproduced by permission.—Anales de la Literatura Espanola Contemporanea, v. 18, 1993. Reproduced by permission of the publisher and the author.—Belles Lettres, v. 10, Spring, 1995. Reproduced by permission.—Book World—The Washington Post, September 25, 1988; October 28, 1990. Reproduced by permission of the authors.—Booklist, v. 86, November 1, 1989; v. 87, October 1, 1990; v. 90, December 15, 1993; v. 92, December 1, 1995; v. 94, October 15, 1997. Copyright © 1989, 1990, 1993, 1995, 1997 by the American Library Association. Reproduced by permission.—Callaloo, v. 19, January 17, 1996. Copyright © 1996 by Charles H. Rowell. Reproduced by permission of The Johns Hopkins University Press. Reproduced by permission.—Canadian Slavonic Papers, v. xxxvii, September-December, 1995. Copyright © 1995 by Canadian Slavonic Papers. All rights reserved. Reproduced by permission.—Chasqui, v. 23, November, 1994. Reproduced by permission.—Commentary, v. 75, January, 1983. Copyright © 1983 by the American Jewish Committee. All rights reserved. Reproduced by permission of the publisher and the author.— Critique, v. xxx, Summer, 1989. Copyright © 1989 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—Drama, n. 143, Spring, 1982. Reproduced by permission.—Esquire, v. 104, December, 1985. Reproduced by permission of Esquire and the Hearst Corporation.—Estreno, v. xiii, Fall, 1987; v. xii, Fall, 1997. Copyright © 1987, 1997 by Estreno. All rights reserved. Reproduced by permission of the publisher and the author.— Extrapolation, v. 18, May, 1977; v. 32, Summer, 1991. © 1977, 1991 by The Kent State University Press. Reproduced by permission.—Film Comment, v. 26, November-December, 1990. Copyright © 1990 by Film Comment Publishing Corporation. Reproduced by permission of the author.—Hispania, v. 72, September, 1989; v. 80, December, 1997. © 1977, 1989 The American Association of Teachers of Spanish and Portguese, Inc. Reproduced by permission of the publisher and the authors.—Hispanic Journal, v. 8, Fall, 1986; v. 9, Fall, 1987. Copyright © 1986, 1987 IUP Indiana University of Pennsylvania. Reproduced by permission.—Hispanofila, v. 90, May, 1987; v. 120, May, 1997. Reproduced by permission.—The Journal of General Education, v. 28, Spring, 1976.Copyright 1976 by The Pennsylvania State University. Reproduced by permission of The Pennsylvania State University Press.—Journal of the Midwest Modern Language Association, v. 17, Spring, 1984. Copyright 1984 by The Midwest Modern Language Association. Reproduced by permission of the publisher and the author.—Knight-Ridder/Tribune News Service, May 1, 1995. Copyright 1995 Knight-Ridder/ Tribune News Service. Reproduced by permission.—London Review of Books, v. 9, October 1, 1987. Copyright © 1987 by Adhaf Soueif. Reproduced by permission of the publisher and The Wylie Agency, Inc.—The Los Angeles Times Book Review, April 19, 1987; September 4, 1994. Reproduced by permission/January 1, 1989. Copyright, 1989, Los Angeles Times. Reproduced by permission.—Manchester Guardian Weekly, v. 152, February 5, 1995. Copyright © 1995 by Guardian Publications Ltd. Reproduced by permission of Guardian News Service, LTD.—Modern Drama, v. xxvii, March, 1984;
v. xxvii, September, 1984; v. xxix, March, 1986. © 1984, 1986 University of Toronto. Reproduced by permission.— Modern Fiction Studies, v. 37, Spring, 1991. Copyright © 1991 by Purdue Research Foundation. All rights reserved. Reproduced by permission of The Johns Hopkins University Press.—Modern Language Journal, v. 70, Winter, 1986. Copyright © 1986 The Board of Regents of the University of Wisconsin System. All rights reserved. Reproduced by permission.—Modern Language Review, v. 88, January, 1993; v. 91, July, 1996. © Modern Humanities Association 1993, 1996. Reproduced by permission of the publisher.—The Nation, New York, June 23, 1984; March 28, 1987; May 6, 1991; November 14, 1994; November 20, 1995; February 12, 1996; November 3, 1997; November 16, 1998. Copyright The Nation Company, Inc. 1984, 1987, 1991, 1994, 1995, 1996, 1997, 1998. Reproduced by permission.—Neophilologus, v. lxxvii, October, 1993. © 1993 by H. D. Tjeenk Willink. Reproduced by permission of the author./ v. lxxviii, April, 1994. Copyright © 1994 by H. D. Tjeenk Willink. Reproduced by permission of Kluwer Academic Publishers and the author.— The New Leader, October 1-15, 1990. © 1990 by The American Labor Conference on International Affairs, Inc. Reproduced
by permission.—The New Republic, June 4, 1984; v. 191, December 24, 1984; February 2, 1987; June 20, 1988; v. 211, December 26, 1994; November 17, 1997. © 1984, 1987, 1988, 1994, 1997 by The New Republic, Inc. Reproduced by permission.—New Statesman & Society, October 26, 1990. © 1990 Statesman & Nation Publishing Company Limited. Reproduced by permission.—The New York Review of Books, May 18, 1989; May 12, 1994. Copyright © 1989, 1994 Nyrev, Inc. Reproduced with permission from The New York Review of Books.—The New York Times, September 17, 1989; September 21, 1997. Copyright © 1989, 1997 by The New York Times Company. Reproduced by permission./ September 27, 1998. Copyright © 1998 by The New York Times Company. Reproduced by permission of the author.—The New York Times Book Review, November 10, 1991; February 6, 1994; November 6, 1994; January 28, 1996; October 12, 1997; February 22, 1998. Copyright © 1991, 1994, 1996, 1997, 1998 by The New York Times Company. Reproduced by permission./ March 5, 1989; September 17, 1995; October 25, 1998. Copyright © 1995, 1989, 1998 by The New York Times Company. Reproduced by permission of the authors.—Newsweek, v. 129, April 7, 1997. Copyright © 1997 Newsweek, Inc. Reproduced by permission.—North Dakota Quarterly, v. 50, Summer, 1982. Copyright 1982 by The University of North Dakota. Reproduced by permission.—Omni, v. 16, December, 1993. Reproduced by permission.—Parnassus, v. 9, Spring-Summer, 1991; vs. 18 & 19, 1993. Copyright © 1991, 1993 Poetry in Review Foundation, NY. Reproduced by permission of the authors.—Performing Arts Journal, v. xiii, May, 1991. Reproduced by permission.—The Polish Review,
v. xxxvi, 1991; v. xxxix, 1994. Copyright © 1991, 1994 by the Polish Institute of Arts and Sciences of America, Inc. Reproduced by permission.—Post Script, v. 10, Fall, 1990. Reproduced by permission.—The Progressive, December, 1998. Copyright 1998 Progressive Inc. Reproduced by permission.—Publishers Weekly, v. 245, June 8, 1998. Copyright 1998 by Reed Publishing USA. Reproduced from Publishers Weekly, published by the Bowker Magazine Group of Cahners Publishing Co., a division of Reed Publishing USA., by permission.—The Review of Contemporary Fiction, v. 16, Spring, 1996. Copyright 1996 Review of Contemporary Fiction. Reproduced by permission.—Revista Canadiense de Estudios Hispanicos, v. xviii, Winter, 1994. Reproduced by permission of the pulisher and the author.—Revista de Estudios Hispanicos, v. 29, October, 1995. Reproduced by permission of the publisher and the author.—Romance Studies, n 26, Autumn, 1995. Reproduced by permission.—Slavic and East European Journal, v. 26, Winter, 1982; v. 39, Winter, 1995. Copyright © 1982, 1995 by AATSEEL of the U.S., Inc. Reproduced by permission.—Studies in Short Fiction, v. 33, Spring, 1996. Copyright 1996 Newberry College. Reproduced by permission.—Symposium, v., xl, Summer, 1986. Copyright © 1986 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—The Times Literary Supplement, September 11-17, 1987. Reproduced by permission.—The USF Language Quarterly, v. xxvi, Fall & Winter, 1987. Reproduced by permission.—The Women’s Review of Books, v. xii, April, 1995; v. xiii, February, 1996. Reproduced by permission of the authors.—World Literature Today, v. 51, Summer, 1977; v. 55, Summer, 1981; v. 63, Autumn, 1988; v. 63, Spring, 1989; v. 65, Spring, 1991; v. 54, Autumn, 1993; v. 70, Summer, 1996; v. 73, Spring, 1999. Copyright 1977, 1981, 1988, 1989, 1991, 1993, 1996, 1999 University of Oklahoma Press. Reproduced by permission.
COPYRIGHTED EXCERPTS IN CLC, VOLUME 139, WERE REPRODUCED FROM THE FOLLOWING BOOKS:
Chancy, Myriam J. A. From Framing Silence: Revolutionary Novels by Haitian Women. Rutgers University Press, 1997. Copyright © 1997 by Myriam J. A. Chancy. All rights reserved. Reproduced by permission of Rutgers, The State University.—Clark, Marty. From an introduction to Sleepless Nights in The Procrustean Bed: Essays. By Harlan Ellison. Edited by Marty Clark. The Borgo Press, 1984. Introduction copyright © 1984 by Marty Clark. Copyright © 1984 by The Kilimanjaro Corportion. All rights reserved. Reproduced by permission of the author.—Clark, Michael. From “The Future of History: Violence and the Feminine in Contemporary Science Fiction,” in American Studies in Transition. Edited by David E. Nye and Christen Kold Thomsen. Odense University press, 1985. © 1985 Odense University Press. Reproduced by permission.—Coates, Paul. From “Gardens of Stone: The Poetry of Zbigniew Herbert and Tadeusz Rozewicz,” in The Mature Laurel: Essays on Modern Polish Poetry. Edited by Adam Czerniawski. Seren books, 1991. Editorial selection © Adam Czerniawski 1991. Chapter copyright © Paul Coates 1991. All rights reserved. Reproduced by permission of the author.—Ferré, Rosario. From “‘The Writer’s Kitchen’,”translated by Diana L. Velez, in Lives on the Line: The Testimony of Contemporary Latin American Authors. Edited by Doris Meyers. University of California Press, 1988. Reproduced by permission of Diana L. Velez.—Filipowicz, Halina. From Drama and Philosophy. Cambridge University Press, 1990. © Cambridge University Press 1990. Reproduced by permission of the publisher and the author.—Franco, Jean. From Papales de Pandora: The Youngest Doll. University of Nebraska Press, 1991. Copyright © The University of Nebraska Press 1991. Reproduced by permission.—Kirgo, George. From a foreword to Harlan Ellison’s Watching. Underwood-Miller, 1989. Copyright© 1989 by The Kilimanjaro Corporation. All rights reserved. Reproduced by permission of the author.— Koreneva, Maya. From “Hopes and Nightmares of the Young,” in Dialogues/Dialogi: Literary and Cultural Exchanges Between (Ex) Soviet and American Women. Edited by Susan Hardy Aiken & others. Duke University Press, 1994. Copyright © 1994 by Duke University Press. All rights reserved. Reproduced by permission.—Perry, Donna. From an
interview with Rosario Ferré in Backtalk: Women Writers Speak Out. Rutgers University Press, 1993. Copyright © 1993 by Donna Perry. All rights reserved. Reproduced by permission of Rutgers, The State University.—Sullivan, Charles W.,
III. From “Harlan Ellison and Robert A. Heinlein: The Paradigm Makers,” in Clockwork Worlds: Mechanized Environments in SF. Edited by Richard D. Erlich and Thomas P. Dunn. Greenwood Press, 1983. Copyright © 1983 by Richard D. Erlich and Thomas P. Dunn. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Vera, Elena Gascon. From “‘Sitio a Eros’: The Liberated Eros of Rosario Ferré,” in Reinterpreting the Spanish American Essay: Women Writers of the 19th and 20th Century. Edited by Doris Meyer. University of Texas Press, 1995. Copyright © 1995. Reproduced by permission.
PHOTOGRAPHS APPEARING IN CLC, VOLUME 139, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Buero Vallejo, Antonio, photograph. AP/Wide World Photos. Reproduced by permission.—Danticat, Edwidge, photograph by Doug Kanter. AP/Wide World Photos. Reproduced by permission.—Ellison, Harlan, photograph by Chris Cuffaro. Reproduced by permission.—Ferré, Rosario, photograph. AP/Wide World Photos. Reproduced by permission.—Phillips, Jayne Anne, photograph. © Larry White/Corbis. Reproduced by permission.—Updike, John, photograph. AP/Wide World Photos. Reproduced by permission.
