Tyler, Anne (Vol. 205) - Copyright Page

ISSN 0091-3421

Volume 205

Contemporary Literary Criticism

Criticism of the Works of Today’s Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers

Jeffrey W. Hunter

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Contemporary Literary Criticism, Vol. 205

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ISSN 0091-3421

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Preface

N
amed “one of the twenty-five most distinguished reference titles published during the past twenty-five years” by Reference Quarterly, the Contemporary Literary Criticism (CLC) series provides readers with critical commentary and general information on more than 2,000 authors now living or who died after December 31, 1999. Volumes published from 1973 through 1999 include authors who died after December 31, 1959. Previous to the publication of the first volume of CLC in 1973, there was no ongoing digest monitoring scholarly and popular sources of critical opinion and explication of modern literature. CLC, therefore, has fulfilled an essential need, particularly since the complexity and variety of contemporary literature makes the function of criticism especially important to today’s reader.

Scope of the Series

CLC provides significant passages from published criticism of works by creative writers. Since many of the authors covered in CLC inspire continual critical commentary, writers are often represented in more than one volume. There is, of course, no duplication of reprinted criticism.

Authors are selected for inclusion for a variety of reasons, among them the publication or dramatic production of a critically acclaimed new work, the reception of a major literary award, revival of interest in past writings, or the adaptation of a literary work to film or television.

Attention is also given to several other groups of writers—authors of considerable public interest—about whose work criticism is often difficult to locate. These include mystery and science fiction writers, literary and social critics, foreign authors, and authors who represent particular ethnic groups.

Each CLC volume contains individual essays and reviews taken from hundreds of book review periodicals, general magazines, scholarly journals, monographs, and books. Entries include critical evaluations spanning from the beginning of an author’s career to the most current commentary. Interviews, feature articles, and other published writings that offer insight into the author’s works are also presented. Students, teachers, librarians, and researchers will find that the general critical and biographical material in CLC provides them with vital information required to write a term paper, analyze a poem, or lead a book discussion group. In addition, complete biographical citations note the original source and all of the information necessary for a term paper footnote or bibliography.

Organization of the Book

A CLC entry consists of the following elements:

  • © The Author Heading cites the name under which the author most commonly wrote, followed by birth and death dates. Also located here are any name variations under which an author wrote, including transliterated forms for authors whose native languages use nonroman alphabets. If the author wrote consistently under a pseudonym, the pseudonym will be listed in the author heading and the author’s actual name given in parenthesis on the first line of the biographical and critical information. Uncertain birth or death dates are indicated by question marks. Singlework entries are preceded by a heading that consists of the most common form of the title in English translation (if applicable) and the original date of composition.
  • © A Portrait of the Author is included when available.
  • © The Introduction contains background information that introduces the reader to the author, work, or topic that is the subject of the entry.

    • vii

    n.s. v. 5, December 1995. Copyright © 1987, 1995 by The British Film Institute. Both reproduced by permission.— Soundings, v. 85, fall-winter, 2002. Copyright © 2003 by The Society for Values in Higher Education. Reproduced by permission.—Southern Literary Journal, v. 23, fall, 1990; v. 31, fall, 1998. Copyright © 1990, 1998 by the University of North Carolina Press. Both used by permission.—Southern Quarterly, v. 39, spring, 2001. Copyright © 2001 by the University of Southern Mississippi. Reproduced by permission.—Southern Review, v. 34, summer, 1998 for “A Conversation with Richard Ford” by Richard Ford and Huey Guagliardo. Reproduced by permission of the authors.—Spectator, v. 275, July 15, 1995; v. 279, September 13, 1997; v. 286, June 2, 2001; v. 287, November 3, 2001; v. 294, January 3, 2004. Copyright © 1995, 1997, 2001, 2004 by The Spectator. All reproduced by permission of The Spectator.—Times Literary Supplement, February 12-18, 1988; March 27, 1992; July 14, 1995; September 28, 2001. Copyright © 1988, 1992, 1995, 2001 by The Times Supplements Limited. All reproduced from The Times Literary Supplement by permission.—Women’s Review of Books, July 2001 for “A Fork in the Road” by Ellen Cronan Rose. Copyright © 2001 Women’s Review, Inc. Reproduced by permission by permission of the author.—World and I, v. 13, August 1998. Copyright 1998 News World Communications, Inc. Reproduced by permission.—World Literature Today, v. 72, winter, 1998; v. 76, spring, 2002. Copyright © 1998, 2002 by World Literature Today. Both reproduced by permission.

    COPYRIGHTED MATERIAL IN CLC, VOLUME 205, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

    Badley, Linda. From Writing Horror and the Body: The Fiction of Stephen King, Clive Barker and Anne Rice. Greenwood Press, 1996. Copyright © 1996. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Barker, Clive. From Incarnations: Three Plays. HarperPrism, 1995. Copyright © 1995 by Clive Barker. Reprinted by permission of HarperCollins Publishers.—Barker, Clive, and Paul Wells. From “On the Side of the Demons: Clive Barker’s Pleasures and Pains,” in British Horror Cinema. Edited by Steve Chibnall and Julian Petley. Routledge, 2002. Copyright © 2002 by Clive Barker and Paul Wells. Reproduced by permission of Taylor & Francis Books Ltd.—Dziemianowicz, Stefan. From Fantasy and Horror: A Critical and Historical Guide to Literature, Illustration, Film, TV, Radio, and the Internet. The Scarecrow Press, Inc., 1999. Copyright © 1999 by Scarecrow Press. All rights reserved. Reproduced by permission.—Epel, Naomi. From Writers Dreaming. Carol Southern Books, 1993. Copyright © 1993 by Naomi Epel. Used by permission of Crown Publishers, a division of Random House, Inc. In the UK by permission of the author and the Sandra Dijkstra Literary Agency.—Fellner, Astrid M. From Articulating Selves: Contemporary Chicana Self-Representation. Braumüller, 2002. Copyright © 2002 by Wilhelm Braumüller, www.braumuller.at. Reproduced by permission.—Grove, James. From Southern Writers at Century’s End. The University Press of Kentucky, 1997. Copyright © 1997 by The University Press of Kentucky. Reproduced by permission.—Joshi, S. T. From The Modern Weird Tale. McFarland & Company, Inc., Publishers, 2001. © 2001 S.T. Joshi. All rights reserved. Reproduced by permission of McFarland & Company, Inc., Box 611, Jefferson NC 28640. www.mcfarlandpub.com.—Kafka, Phillipa. From (Out)Classed Women: Contemporary Chicana Writers on Inequitable Gendered Power Relations. Greenwood Press, 2000. Copyright © 2000 by Phillipa Kafka. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Lomelí, Francisco A. From Literature and Ethnicity in the Cultural Borderlands. Rodopi, 2002. Copyright © Editions Rodopi B. V. Reproduced by permission.—Martín-Rodríguez, Manuel M. From Life in Search of Readers: Reading (in) Chicano/a Literature. University of New Mexico Press, 2003. Copyright © 2003 by University of New Mexico Press. All rights reserved. Reproduced by permission.—Nollen, Elizabeth Mahn. From Family Matters in the British and American Novel. Bowling Green State University Popular Press, 1997. Copyright © 1997 Bowling Green State University Popular Press. Reproduced by permission.—Oliver-Rotger, Maria Antònia. From an Introduction to Battlegrounds and Crossroads: Social and Imaginary Space in Writings by Chicanas. Rodopi, 2003. Copyright © Editions Rodopi B. V. Reproduced by permission.—Tuttle, Lisa. From Clive Barker’s Shadows in Eden. Underwood-Miller, 1991. Copyright © 1991 by Lisa Tuttle. Reproduced by permission of the author.—Winter, Douglas E. From Clive Barker: The Dark Fantastic. HarperCollins Publishers, 2002. Copyright © 2002 by Douglas E. Winter. Reprinted by permission of HarperCollins Publishers.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CLC, VOLUME 205, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Barker, Clive, photograph. Sebastian Artz/Getty Images. Reproduced by permission.—Ford, Richard, photograph. © Jerry Bauer. Reproduced by permission.—Tyler, Anne, photograph. Courtesy of Knopf. Reproduced by permission.

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