Criticism > Contemporary Literary Criticism > Tan, Amy - M. Marie Booth Foster (essay date 1996)
Tan, Amy - M. Marie Booth Foster (essay date 1996)
M. Marie Booth Foster (essay date 1996)
SOURCE: "Voice, Mind, Self: Mother-Daughter Relationships in Amy Tan's The Joy Luck Club and The Kitchen God's Wife," in Women of Color: Mother-Daughter Relationships in 20th-Century Literature, edited by Elizabeth Brown-Guillory, University of Texas Press, 1996, pp. 208-27.
[In the following essay, Booth Foster discusses the importance of daughters listening to their mothers' voices in order to discover their own voices in Tan's The Joy Luck Club.]
In The Joy Luck Club and The Kitchen God's Wife, Amy Tan uses stories from her own history and myth to explore the voices of mothers and daughters of Chinese ancestry. Each woman tells a story indicative of the uniqueness of her voice. Mary Field Belensky, in Women's Ways of Knowing, argues that voice is "more than an academic shorthand for a person's point of view … it is a metaphor that can apply to many aspects of...
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Criticism
- Merle Rubin (review date 21 April 1989)
- Scarlet Cheng (review date Summer 1989)
- Robb Forman Dew (review date 16 June 1991)
- Elgy Gillespie (review date Summer 1991)
- Penelope Fitzgerald (review date 11 July 1991)
- Helen Yglesias (review date September 1991)
- Scarlet Cheng (review date Fall 1991)
- Walter Shear (essay date Spring 1993)
- Stephen Souris (essay date Summer 1994)
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- Bonnie Braendlin (essay date 1995)
- Gloria Shen (essay date 1995)
- Sau-Ling Cynthia Wong (essay date 1995)
- Claire Messud (review date 29 October 1995)
- Penelope Mesic (review date 5 November 1995)
- Donna Nurse (review date 6 November 1995)
- M. Marie Booth Foster (essay date 1996)
- Ruth Pavey (review date 16 February 1996)
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