Criticism > Contemporary Literary Criticism > Special Commissioned Entry on Nadine Gordimer, Judith Newman - Copyright Page


Special Commissioned Entry on Nadine Gordimer, Judith Newman - Copyright Page

ISSN 0091-3421

Volume 161

Contemporary Literary Criticism

Criticism of the Works of Today’s Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers

Janet Witalec

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Tom Burns, Jenny Cromie, Kathy D. Darrow, Madeline S. Harris, Jeffrey W. Hunter, Justin Karr, Ellen McGeagh

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Contemporary Literary Criticism, Vol. 161

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of CLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN CLC, VOLUME 161, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Antioch Review, v. 54, Summer, 1996. Reproduced by permission.—Chasqui: Revista de Literatura-Latinamericana, v. 11, November, 1981. Reproduced by permission.—Chicago Tribune Books, February 9, 1997 for “Dreams and Nightmares: Robert Coover Probes the Disparities Between Reality and Might-Have-Been,” by Michael Upchurch. Reproduced by permission of the author./ June 30, 1996. Reproduced by permission.—Critical Inquiry, v. 13, Spring, 1987. Reproduced by permission.—Critique, v. 34, Summer, 1993; v. 37, Winter, 1996; v. 42, Fall, 2000. All reproduced by permission.— Dalhousie French Studies, v. 12, Spring-Summer, 1987. Reproduced by permission.—The Explicator, v. 54, Fall, 1993. Reproduced by permission.—Fiction International, v. 16, Summer/Fall, 1986. Reproduced by permission.—French Review, v. 69, May, 1996. Reproduced by permission.—Hudson Review, v. 44, Autumn, 1991. Reproduced by permission.— International Fiction Review, v. 13, Winter, 1986; v. 14, Summer, 1987; v. 16, Winter, 1989. All reproduced by permission.—L’Espirit Createur, v. 31, Winter, 1991. Reproduced by permission.—Latin American Literary Review, v. xi, Fall-Winter, 1983; v. 13, July, 1985; v. 16, Spring, 1989. All reproduced by permission.—Latin American Perspectives. Reproduced by permission.—Los Angeles Times, June 25, 1982; December 13, 1984; July 2, 1986; October 23, 1987; February 28, 1992; February 3, 1995; April 28, 1995, October 30, 1998; August 23, 2001, August 24, 2001, . Reproduced by permission.—MLN, v. 109, September, 1994. Reproduced by permission.—Modern Fiction Studies, v. 33, Spring, 1987. Reproduced by permission.—Modern Language Review, v. 81, October, 1986. © Modern Humanities Research Association 1986. Reproduced by permission.—New Leader, December 18, 1978. Reproduced by permission.—New Statesman, v. 125, September 20, 1996; December 10, 2001 . Both reproduced by permission.—New York Review of Books, October 17, 1996. Copyright © 1996 NYREV, Inc. Reproduced by permission.—Partisan Review, v. 64, Fall, 1997 for “Fiction Chronicle,” by Millicent Bell. Reproduced by permission of the author.—Perspectives on Contemporary Literature, 1984. Reproduced by permission.—Review of Contemporary Fiction, v. 5, Fall, 1985; v. 16, Fall, 1996; v. 17, Summer, 1997; v. 19, Spring, 1999. All reproduced by permission.—Revista Canadienese de Estudios Hispanicos, v. xv, Fall, 1990 for “Ernesto Cardenal’s El estrecho dudoso: Reading/Re-Writing History,” by Tamara R. Williams. Reproduced by permission of the publisher and the author./ v. xi, Fall, 1986. Reproduced by permission.—Revista Review Interamericana, v. XI, Summer, 1981. Reproduced by permission.—Romance Notes, v. XXIX, Fall, 1988. Reproduced by permission.—Romance Studies, Winter, 1992-Spring, 1993. Reproduced by permission.—Saturday Review, v. 8, August, 1981; v. 11, January-February, 1985. Both reproduced by permission.—Sight and Sound, v. 41 , Spring, 1978.; v. 5, August, 1995;

  • v. 6, October, 1996; v. 9, December, 1999; v. 11, December, 2001. Reproduced by permission.—Studies in Short Fiction,
  • v. 31, Spring, 1994. Reproduced by permission.—Studies in the Novel, v. 25, Fall, 1993. Reproduced by permission.— Studies in Twentieth Century Literature, v. 21, Summer, 1997. Reproduced by permission.—Style, v. 41 , Spring, 1978; v. 26, Summer, 1992. Both reproduced by permission.—Times Literary Supplement, February 12, 1999; May 21, 1999. Both reproduced by permission—Variety, v. 370, May 4, 1998; August 27-September 2, 2001. Both reproduced by permission.— World Literature Today, v. 70, Spring, 1996; v. 71, Spring, 1997; v. 73, Spring, 1999; v. 74, Summer, 2000. All reproduced by permission.—Yale French Studies, 1989 for “Intertextuality as Labyrinth: The Presence of Racine in Michel Butor’s Emploi du temps,” by Dominique Jullien. Reproduced by permission of the publisher and the author.—Yale French Studies, 1994. Reproduced by permission.
    • COPYRIGHTED MATERIAL IN CLC, VOLUME 161, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

    Cumbow, Robert C. From Order in the Universe: The Films of John Carpenter. Scarecrow, 2000. Copyright © 2000 by Scarecrow. All rights reserved. Reproduced by permission.—DeHay, Terry. From Postcolonial Literature and the Biblical

    Call for Justice. University Press of Mississippi, 1994. Copyright © 1994 by University Press of Mississippi. All rights reserved. Reproduced by permission.—Elais, Edward. From Poetic Prophesy in Western Literature. Associated University Presses, 1984. Copyright © 1984 by Associated University Presses. All rights reserved. Reproduced by permission.—Muir, John Kenneth. From The Films of John Carpenter. McFarland, 2000. Copyright © 2000 by McFarland. All rights reserved. Reproduced by permission.—Seaboyer, Judith. From Venetian Views, Venetian Blinds: English Fantasies of Venice. Rodopi, 1999. Copyright © 1999 by Rodopi. All rights reserved. Reproduced by permission.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CLC, VOLUME 161, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Butor, M. Michel, Paris, France, 1957, photograph. AP/Wide World Photos. Reproduced by permission.—Cardenal, Ernesto, photograph, 1983. AP/Wide World Photos. Reproduced by permission.—Carpenter, John, directing the film, In the Mouth of Madness, 1995, photograph. The Kobal Collection. Reproduced by permission.—Coetzee, J. M., photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.—Coover, Robert, photograph. © Jerry Bauer. Reproduced by permission.—Gordimer, Nadine, photograph. AP/Wide World Photos. Reproduced by permission.

    Literary Criticism Series Advisory Board

    The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

    Dr. Toby Burrows Mary Jane Marden

    Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

    Mark Schumacher David M. Durant

    Jackson Library Reference Librarian, Joyner Library

    East Carolina University University of North Carolina at Greensboro

    Steven R. Harris Gwen Scott-Miller

    English Literature Librarian Fiction Department Manager University of Tennessee Seattle Public Library