Criticism > Contemporary Literary Criticism > Shepard, Sam (Vol. 169) - Sam Shepard and Carol Rosen (interview date March 1993)
Shepard, Sam (Vol. 169) - Sam Shepard and Carol Rosen (interview date March 1993)
Sam Shepard and Carol Rosen (interview date March 1993)
SOURCE: Shepard, Sam, and Carol Rosen. “Emotional Territory: An Interview with Sam Shepard.” Modern Drama 36, no. 1 (March 1993): 1-11.
[In the following interview—which is excerpted from Rosen's book Sam Shepard: A Poetic Rodeo—Shepard discusses his theatrical style and stage imagery as well as his concepts of rhythm, myth, voice, and character.]
Sam Shepard is, of course, a conundrum. He is undoubtedly one of the most intuitive practitioners of what Cocteau called “poetry of the theatre,” creating a personal, concrete, physical language of the stage to be apprehended sensually. This encoder of American signs onstage is also an actor's playwright, among the most subtle and sympathetic chroniclers of characters' emotional states since O'Neill. Yet although he occasionally still produces a new play, most recently States of Shock in 1991, Sam Shepard now works...
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- Introduction
- Principal Works
-
Criticism
- Robert Brustein (review date 27 January 1986)
- Gerald Weales (review date 14 February 1986)
- David Wyatt (essay date spring 1992)
- Donald L. Carveth (essay date fall 1992)
- Robert B. Heilman (essay date fall 1992)
- Sam Shepard and Carol Rosen (interview date March 1993)
- Susanne Willadt (essay date March 1993)
- Robert Brustein (review date 2 January 1995)
- Robert Brustein (essay date 15-22 July 1996)
- Sam Shepard and Stephanie Coen (interview date September 1996)
- Francis King (review date 16 November 1996)
- Don Shewey (essay date July/August 1997)
- Susan Harris Smith (essay date 1998)
- Sam Shepard and Michael Phillips (interview date 8 November 2000)
- Michael Phillips (review date 17 November 2000)
- Katherine Duncan-Jones (review date 23 July 2001)
- Ann Wilson (essay date 2001)
- Further Reading
- Copyright
