Criticism > Contemporary Literary Criticism > Shepard, Sam (Vol. 169) - Michael Phillips (review date 17 November 2000)
Shepard, Sam (Vol. 169) - Michael Phillips (review date 17 November 2000)
Michael Phillips (review date 17 November 2000)
SOURCE: Phillips, Michael. “A Man's Life Passes before His Bleary Eyes.” Los Angeles Times (17 November 2000): F1.
[In the following review, Phillips offers a mixed assessment of The Late Henry Moss, noting that the play has “nuggets of gold.”]
In 1986, Robert De Niro returned to the New York stage for a play called Cuba and His Teddy Bear. Two years later, Steve Martin and Robin Williams decided to wait for Samuel Beckett's Godot at Lincoln Center, provoking a similarly noisy stampede for tickets.
You'd have to go back that far, arguably, for the last time such attention-getting film actors caused such a theatrical stir, anywhere in this country.
Nick Nolte and Sean Penn, two of America's best when it comes to cinematic tough-guy poetics, have returned to the boards for the world premiere of Sam Shepard's The Late Henry Moss. The play is...
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- Introduction
- Principal Works
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Criticism
- Robert Brustein (review date 27 January 1986)
- Gerald Weales (review date 14 February 1986)
- David Wyatt (essay date spring 1992)
- Donald L. Carveth (essay date fall 1992)
- Robert B. Heilman (essay date fall 1992)
- Sam Shepard and Carol Rosen (interview date March 1993)
- Susanne Willadt (essay date March 1993)
- Robert Brustein (review date 2 January 1995)
- Robert Brustein (essay date 15-22 July 1996)
- Sam Shepard and Stephanie Coen (interview date September 1996)
- Francis King (review date 16 November 1996)
- Don Shewey (essay date July/August 1997)
- Susan Harris Smith (essay date 1998)
- Sam Shepard and Michael Phillips (interview date 8 November 2000)
- Michael Phillips (review date 17 November 2000)
- Katherine Duncan-Jones (review date 23 July 2001)
- Ann Wilson (essay date 2001)
- Further Reading
- Copyright
