Criticism > Contemporary Literary Criticism > Shepard, Sam (Vol. 169) - Gerald Weales (review date 14 February 1986)
Shepard, Sam (Vol. 169) - Gerald Weales (review date 14 February 1986)
Gerald Weales (review date 14 February 1986)
SOURCE: Weales, Gerald. “Great Divide: Shepard's Lie of the Mind.” Commonweal 63, no. 3 (14 February 1986): 86-7.
[In the following review, Weales criticizes A Lie of the Mind, objecting to the “cartoon atmosphere” of the play.]
Sam Shepard's new play, A Lie of the Mind, runs for more than four hours, but its length does not herald structural innovation in his drama. He is still working in short scenes, as he has been since he turned up off-off-Broadway in the 1960s. In the new play, he cuts back and forth between two families and their homes on opposite ends of the stage, jumping from one painful or comic sequence to the next. The play, as one expects with Shepard, is absorbing, but a kind of attenuation has set in. It has no images as sharp and compelling as the corn shucking in Buried Child or the nude man with the lamb in Curse of the Starving...
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- Introduction
- Principal Works
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Criticism
- Robert Brustein (review date 27 January 1986)
- Gerald Weales (review date 14 February 1986)
- David Wyatt (essay date spring 1992)
- Donald L. Carveth (essay date fall 1992)
- Robert B. Heilman (essay date fall 1992)
- Sam Shepard and Carol Rosen (interview date March 1993)
- Susanne Willadt (essay date March 1993)
- Robert Brustein (review date 2 January 1995)
- Robert Brustein (essay date 15-22 July 1996)
- Sam Shepard and Stephanie Coen (interview date September 1996)
- Francis King (review date 16 November 1996)
- Don Shewey (essay date July/August 1997)
- Susan Harris Smith (essay date 1998)
- Sam Shepard and Michael Phillips (interview date 8 November 2000)
- Michael Phillips (review date 17 November 2000)
- Katherine Duncan-Jones (review date 23 July 2001)
- Ann Wilson (essay date 2001)
- Further Reading
- Copyright
