Shepard, Sam (Vol. 169) - Copyright Page
ISSN 0091-3421
Volume 169
Contemporary Literary Criticism
Criticism of the Works of Today’s Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers
PROJECT EDITOR
Project Editor
Janet Witalec
Editorial
Tom Burns, Jenny Cromie, Kathy D. Darrow, Jeffrey W. Hunter, Justin Karr, Lemma Shomali
Research
Sarah Genik, Tamara C. Nott, Tracie A. Richardson
©
Gale and Design™ and Thomson Learning™ are trademarks used herein under license.
For more information, contact
The Gale Group, Inc. 27500 Drake Rd. Farmington Hills, MI 48331-3535 Or you can visit our internet site at http://www.gale.com
ALL RIGHTS RESERVED
No part of this work covered by the copyright herein may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution, or information storage retrieval systems—without the written permission of the publisher.
Contemporary Literary Criticism, Vol. 169
Permissions
Shalice Shah-Caldwell
Imaging and Multimedia
Dean Dauphinais, Lezlie Light, David G.
Oblender, Kelly A. Quin, Luke Rademacher
This publication is a creative work fully
protected by all applicable copyright laws, as
well as by misappropriation, trade secret,
unfair competition, and other applicable laws.
The authors and editors of this work have
added value to the underlying factual mate
rial herein through one or more of the fol
lowing: unique and original selection,
coordination, expression, arrangement, and
classification of the information.
For permission to use material from the
product, submit your request via the Web at
http://www.gale-edit.com/permissions, or you
may download our Permissions Request form
and submit your request by fax or mail to:
Permisssions Department
The Gale Group, Inc.
27500 Drake Rd.
Farmington Hills, MI 48331-3535
Permissions Hotline:
248-699-8006 or 800-877-4253, ext. 8006
Fax 248-699-8074 or 800-762-4058
Composition and Electronic Capture
Gary Leach
Manufacturing
Stacy L. Melson
Since this page cannot legibly accommodate all copyright notices, the acknowledgments constitute an extension of the copyright notice.
While every effort has been made to secure permission to reprint material and to ensure the reliability of the information presented in this publication, the Gale Group neither guarantees the accuracy of the data contained herein nor assumes any responsibility for errors, omissions or discrepancies. Gale accepts no payment for listing; and inclusion in the publication of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions.
LIBRARY OF CONGRESS CATALOG CARD NUMBER 76-46132
ISBN 0-7876-6342-5
ISSN 0091-3421
Printed in the United States of America 10987654321
Acknowledgments
The editors wish to thank the copyright holders of the criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of CLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED MATERIAL IN CLC, VOLUME 169, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:
America, v. 170, April 30, 1994. Copyright 1994 America Press, Inc. Reproduced by permission of America Press, Inc., 106 West 56th Street, New York, NY 10019. http://www.americamagazine.org.—American Historical Review, v. 92, February, 1987. Reproduced by permission.—American Literature, v. 64, Spring, 1992; Reproduced by permission.—American Theatre, v. 14, July-August, 1997. Reproduced by permission.—Bookforum, Spring, 1998. © Bookforum 1998. Reproduced by permission.—Canadian Literature, n. 135, Winter, 1992 for “Installations,” by Neil B. Bishop. Reproduced by permission of the author.—Chicago Tribune, December 20, 1992. © 1992 Tribune Media Services, Inc. All rights reserved. Reproduced by permission.—Commonweal, v. lxiii, February 14, 1986; December 6, 1991; v. 24, May 8, 1998. Copyright © 1986, 1991, 1998 Commonweal Publishing Co., Inc. All reproduced by permission.—Contemporary Review, v. 266, June, 1995. Reproduced by the permission of Contemporary Review Ltd.—Contemporary Theatre, v. 8, 1998. © 1998 OPA (Overseas Publishers Association) NV. Reproduced by permission of Taylor & Francis Ltd. http://www.tandf.co.uk/ journals.—Criticism, v. xx, Spring, 1978. Copyright, 1978, Wayne State University Press. Reproduced by permission of the publisher.—Critique, v. xxxv, Summer, 1994; v. 42, Spring, 2001. Copyright © 1994, 2001 Helen Dwight Reid Educational Foundation. Both reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC, 20036-1802.—Differences: A Journal of Feminist Cultural Studies,
v. 12, Summer, 2001. Copyright 2001 Indiana University Press. Reproduced by permission.—English, v. 44, Spring, 1995. © The English Association 1995. Reproduced by permission.—Essays in Criticism, v. xlii, October, 1992 for “American Patchwork,” by Brenda Foglio Lyons. Reproduced by permission of the publisher and the author.—Essays on Canadian Writing, no. 70, Spring, 2000. © 2000 Essays on Canadian Writing Ltd. Reproduced by permission.—The German Quarterly, v. 74, Summer, 2001. Copyright © 2001 by the American Association of Teachers of German. Reproduced by permission—Los Angeles Times Book Review, September 2, 1990; December 16, 1990; December 20, 1992; April 27, 1997; January 25, 1998; November 17, 2000; November 8, 2000. Copyright, 1990, 1992, 1997, 1998, 2000, Los Angeles Times. All reproduced by permission.—Maclean’s, May 20, 1991; November 17, 1997. © 1991; 1997 by Maclean’s Magazine. Reproduced by permission.—Modern Austrian Literature, v. 23, 1990; v. 32, 1999. © copyright International Arthur Schnitzler Association 1990, 1999. Both reproduced by permission.—Modern Drama, v. 36, 1993; v. 41, 1998. Copyright © 1993, 1998 University of Toronto, Graduate Centre for Study of Drama. Reproduced by permission.—Modern Fiction Studies, v. 23, Winter, 1977-78; v. 45, Winter, 1999. Copyright © 1978, 1999 by Purdue Research Foundation, West Lafayette, IN 47907. All rights reserved. Reproduced by permission of The Johns Hopkins University.—Modern Language Review, v. 92, July, 1997; v. 95, April, 2000. Reproduced by permission of the publisher.—Modern Philology, v. 77, February, 1980 for “A Literature of Their Own: British Women Novelists from Bronte to Lessing,” by Vineta Colby. Copyright © 1980 by The University of Chicago. Reproduced by permission of the author.—Monatshefte, v. 86, 1994. © 1994 by The Board of Regents of The University of Wisconsin System. Reproduced by permission.—Mosaic, v. 25, Fall, 1992. © Mosaic 1992. Reproduced by permission.— The Nation, New York, v. 252, March 18, 1991; v. 272, June 11, 2001. © 1991 The Nation magazine/The Nation Company, Inc. Reproduced by permission.—National Review, v. xlv, September 1, 1997. Copyright © 1997 by National Review, Inc, 215 Lexington Avenue. New York, NY 10016. Reproduced by permission—The New Leader, v. 85, March-April, 2002. © 2002 by The American Labor Conference on International Affairs, Inc. Reproduced by permission.—The New Republic, v. 194, January 27, 1986; v. 194, April 28, 1986; v. 207, November 16, 1992; v. 212, January 2, 1995; v. 215, July 15-22, 1996; v. 216, May 12, 1997; v. 226, March 25, 2002. © 1986, 1992, 1995, 1996, 1997, 2002. The New Republic, Inc. All reproduced by permission.—New Statesman, v. 96, July 21, 1978; v. 111, March 28, 1986; v. 126, June 13, 1997; v. 126, September 5, 1997; v. 127, September 11, 1998; v. 130, June 18, 2001; v. 130, July 23, 2001; v. 130, September 17, 2001. © 1978, 1986, 1997, 1998, 2001. Statesman & Nation Publishing Company Limited. All reproduced by permission.—New Statesman & Society, v. 2, July 28, 1989; v. 3, August 31, 1990; v. 4, March 29, 1991; v. 4, September 27, 1991; v. 6, June 18, 1993. © 1989, 1990, 1991, 1993. Statesman &
Nation Publishing Company Limited. All reproduced by permission.—The New York Review of Books, January 14, 1993; April 9, 1998; January 14, 1999. Copyright © 1993, 1998, 1999, Nyrev, Inc. All reproduced with permission from The New York Review of Books.—NWSA Journal, v. 10, Spring, 1998. Reproduced by permission.—The Review of Contemporary Fiction, Spring, 1992. Copyright, 1992, by John O’Brien. Reproduced by permission.—Review of English Studies, v. xlv, May, 1994 for a review of “Sister’s Choice: Tradition and Change in American Women’s Writing” by Navina Krishna Hooker. Reproduced by permission of the publisher and the author.—Sewanee Review, v. 100, Fall, 1992 for “Shepard’s Plays: Stylistic and Thematic Ties” by Robert B. Heilman. © 1992 by Robert B. Heilman. Reproduced by permission.— Signs, v. 12, Winter, 1987 for a review of “The New Feminist Criticism: Essays on Women, Literature and Theory,” by Linda Kauffman; v. 19, Winter, 1994 for a review of “Sister’s Choice: Tradition and Change in American Women’s Writing,” by Elaine Hedges. Copyright © 1987 by The University of Chicago. Both reproduced by permission of the authors.— Skeptical Inquirer, v. 21, September-October, 1997. Reproduced by permission.—South Atlantic Quarterly, v. 91, Spring, 1992. Copyright © 1992 by Duke University Press. Reproduced by permission.—The Spectator, v. 266, April 6, 1991; v. 277, November 16, 1996; v. 279, August 30, 1997; v. 281, September 12, 1998; v. 286, June 30, 2001; v. 291, January 25, 2003. © 1991, 1996, 1997, 1998, 2001, 2003 by The Spectator. All reproduced by permission of The Spectator.—Theater,
v. 25, Spring-Summer, 1994. Reproduced by permission.—Times Literary Supplement, July 21-27, 1989; November 2, 1990; November 15, 1991; September 3, 1993; September 30, 1994; May 16, 1997; September 12, 1997; September 4, 1998; August 10, 2001. © The Times Supplements Limited 1989, 1990, 1991, 1993, 1994, 1997, 1998, 2001. All reproduced from The Times Literary Supplement by permission.—Tulsa Studies in Women’s Literature, v. 12, Spring, 1993. © 1993, The University of Tulsa. Reproduced by permission.—Women’s Review of Books, v. ix, November, 1991 for “The Anatomy of Culture,” by Florence Boos; v. 18, July, 2001 for “Unparalleled Lives,” by Brenda Wineapple. Both reproduced by permission of the authors.—Women’s Studies, v. 13, 1987. © Gordon and Breach Science Publishers. Reproduced by permission.—Women’s Studies International Forum, v. 14, 1991. Reproduced by permission.—World Literature in Review, v. 70, Autumn, 1996. Reproduced by permission.—World Literature Today, v. 52, Winter, 1978; v. 70, Autumn, 1996; v. 72, Autumn, 1998; v. 75, Spring, 2001; v. 76, Winter, 2002. Copyright 1978, 1996, 1998, 2001, 2002 by the University of Oklahoma Press. All reproduced by permission.
COPYRIGHTED MATERIAL IN CLC, VOLUME 169, WAS REPRODUCED FROM THE FOLLOWING BOOKS:
Brossard, Nicole. From The Politics of Poetic Form: Poetry and Public Policy. Edited by Charles Bernstein. Roof, 1990. Copyright © 1990 by Charles Bernstein. Reproduced by permission.—Brossard, Nicole, and Beverley Daurio. From The Power to Bend Spoons: Interviews with Canadian Novelists. Edited by Beverley Daurio. The Mercury Press, 1998. Copyright © 1998 by Beverley Daurio. All rights reserved. Reproduced by permission.—Brossard, Nicole with Janice Williamson. From Sounding Differences: Conversations with Seventeen Canadian Women Writers. University of Toronto Press, 1993. © University of Toronto Press 1993. Reproduced by permission.—Gould, Karen. From Writing in the Feminine: Feminism and Experimental Writing in Quebec. Southern Illinois University Press, 1990. Copyright © 1990 by the Board of Trustees, Southern Illinois University. All rights reserved. Reproduced by permission.—Knutson, Susan. From Narrative in the Feminine: Daphne Marlatt and Nicole Brossard. Wilfrid Laurier University Press, 2000. © 2000 Wilfrid Laurier University Press. All rights reserved. Reproduced by permission.—Wilson, Ann. From Modern Dramatists: A Casebook of Major British, Irish, and American Playwrights. Edited by Kimball King. Routledge, 2001. Copyright © 2001 by Kimball King. All rights reserved. Reproduced by permission publisher and the author.
PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CLC, VOLUME 169, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Brossard, Nicole, photograph by John Reeves. Reproduced by permission of John Reeves.—McEwan, Ian, photograph. © Jerry Bauer. Reproduced by permission.—Shepard, Sam, photograph by Jakub Mosur. AP/Wide World Photos. Reproduced by permission.—Showalter, Elaine, appearing at the Edinburgh International Book Festival, photograph by McPherson Colin. Corbis Sygma. Reproduced by Corbis Corporation.
Literary Criticism Series Advisory Board
The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.
Dr. Toby Burrows Mary Jane Marden
Principal Librarian Literature and General Reference Librarian
The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library
Mark Schumacher
David M. Durant
Jackson Library Reference Librarian, Joyner Library
East Carolina University University of North Carolina at Greensboro
Steven R. Harris Gwen Scott-Miller
English Literature Librarian Fiction Department Manager University of Tennessee Seattle Public Library
