Criticism > Contemporary Literary Criticism > Shepard, Sam (Vol. 169) - Ann Wilson (essay date 2001)
Shepard, Sam (Vol. 169) - Ann Wilson (essay date 2001)
Ann Wilson (essay date 2001)
SOURCE: Wilson, Ann. “Great Expectations: Language and the Problem of Presence in Sam Shepard's Writing.” In Modern Dramatists: A Casebook of Major British, Irish, and American Playwrights, edited by Kimball King, pp. 257-72. New York and London: Routledge, 2001.
[In the following essay, Wilson examines the issue of linguistic “presence” in Shepard's plays, exploring the theological dimension of Shepard's dramatic language.]
Walt Whitman was a great man. He expected something from America. He had this great expectation.
—Sam Shepard, Action
Sam Shepard is the pre-eminent playwright of the contemporary American theatre. His work has received numerous awards including the Pulitzer Prize in 1979 for Buried Child. Despite his success, Shepard has not always felt comfortable identifying himself as a writer. In the program note to Cowboy Mouth,...
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- Introduction
- Principal Works
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Criticism
- Robert Brustein (review date 27 January 1986)
- Gerald Weales (review date 14 February 1986)
- David Wyatt (essay date spring 1992)
- Donald L. Carveth (essay date fall 1992)
- Robert B. Heilman (essay date fall 1992)
- Sam Shepard and Carol Rosen (interview date March 1993)
- Susanne Willadt (essay date March 1993)
- Robert Brustein (review date 2 January 1995)
- Robert Brustein (essay date 15-22 July 1996)
- Sam Shepard and Stephanie Coen (interview date September 1996)
- Francis King (review date 16 November 1996)
- Don Shewey (essay date July/August 1997)
- Susan Harris Smith (essay date 1998)
- Sam Shepard and Michael Phillips (interview date 8 November 2000)
- Michael Phillips (review date 17 November 2000)
- Katherine Duncan-Jones (review date 23 July 2001)
- Ann Wilson (essay date 2001)
- Further Reading
- Copyright
