Criticism > Contemporary Literary Criticism > Sebold, Alice - Gordon Phinn (review date November 2002)
Sebold, Alice - Gordon Phinn (review date November 2002)
Gordon Phinn (review date November 2002)
SOURCE: Phinn, Gordon. “Adolescent Afterlife.” Books in Canada 31, no. 8 (November 2002): 10-11.
[In the following review, Phinn offers a negative assessment of The Lovely Bones, characterizing it as sentimental and predictable.]
In the fall of 1999, when the film The Sixth Sense was so suddenly and hugely successful, National Post columnist Len Blum, in one of his weekly columns, sought to grasp the movie's remarkable word of mouth reputation. While thinking that it obviously connected with our innate sense of unworthiness and fear of failure, he felt its major magic was to “tap into our desire to commune with loved ones who have died, to tell them we love them, to resolve things left unresolved.” One suspects the wild success of Alice Sebold's The Lovely Bones mines the same cavern of unrequited longing in our oh-so-secular and cynical culture. In the midst of...
[The entire page is 1138 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Principal Works
-
Criticism
- Alice Sebold and Ann Darby (interview date 17 June 2002)
- Paula L. Woods (review date 7 July 2002)
- Ron Charles (review date 25 July 2002)
- Charlotte Abbott (essay date 29 July 2002)
- Lisa Allardice (review date 19 August 2002)
- Sarah Churchwell (review date 23 August 2002)
- Virginia Quarterly Review (review date autumn 2002)
- Stephen H. Webb (review date 9-22 October 2002)
- Rebecca Mead (review date 17 October 2002)
- Gordon Phinn (review date November 2002)
- Daniel Mendelsohn (essay date 16 January 2003)
- Joyce Carol Oates (review date 20 June 2003)
- Claudia FitzHerbert (review date 21 June 2003)
- Andrea Dworkin (review date 30 June 2003)
- Doris L. Eder (essay date 2004)
- Kenneth Womack (essay date 2004)
- Further Reading
- Copyright
