Criticism > Contemporary Literary Criticism > Salinger, J(erome) D(avid) (Vol. 12) - Robert M. Browne

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ROBERT M. BROWNE

I'm for critical ingenuity and latitude of interpretation and all, but there is some stuff up with which I will not put. Like Mr. John Hermann's view of Salinger's Esmé [see excerpt above] as a symbol of squalor, of lack of compassion and affection. Mr. Hermann gets facts wrong, as when he says that Charles, "blushing but determined … risking embarrassment to show his friendship," comes back into the tearoom to kiss Sergeant X good-bye. In context it is obvious that Esmé has to "drag" and "push" Charles to get him to kiss the sergeant.

But more important, Mr. Hermann has committed two basic errors. One is to read the story in the light of a rather romantic preconception, the other is to neglect the role of the narrator. The romantic preconception is that love of truth, including statistics, makes one unable to love people. Since Esmé is a statistic-lover, she must be unable to love people…. But Esmé's love of truth is simply part of...

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1. Introduction
2. ARTHUR HEISERMAN and JAMES E. MILLER, JR.
3. Frank Kermode
4. Paul Levine
5. Dan Wakefield
6. Arthur Mizener
7. Granville Hicks
8. Michael Walzer
9. Carl F. Strauch
10. John Hermann
11. Robert M. Browne
12. Joan Didion
13. Leslie Fiedler
14. John Updike
15. Warren French
16. CAROL and RICHARD OHMANN
17. GERALDINE De LUCA
18. James Lundquist
19. Copyright