Criticism > Contemporary Literary Criticism > Salinger, J(erome) D(avid) (Vol. 12) - CAROL and RICHARD OHMANN

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CAROL and RICHARD OHMANN

Holden's sensitivity is the heart of [The Catcher in the Rye]; that which animates the story and makes it compelling. Events are laden with affect for Holden. He cannot speak of an experience for long in a neutral way, apart from judgment and feeling. And of course those judgments and feelings are largely negative. Not so entirely negative as Phoebe says—"You don't like anything that's happening"—but this novel is first the story of a young man so displeased with himself and with much of the world around him that his strongest impulse is to leave, break loose, move on. From his pain follows rejection and retreat.

But what exactly is it that puts Holden out of sorts with his life? What does he reject? The critics answer [with] phrases that universalize: an immoral world, the inhumanity of the world, the adult world, the predicament of modern life, the human condition, the facts of life, evil. As we see it, the leap is...

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1. Introduction
2. ARTHUR HEISERMAN and JAMES E. MILLER, JR.
3. Frank Kermode
4. Paul Levine
5. Dan Wakefield
6. Arthur Mizener
7. Granville Hicks
8. Michael Walzer
9. Carl F. Strauch
10. John Hermann
11. Robert M. Browne
12. Joan Didion
13. Leslie Fiedler
14. John Updike
15. Warren French
16. CAROL and RICHARD OHMANN
17. GERALDINE De LUCA
18. James Lundquist
19. Copyright

1. Joan Didion