Criticism > Contemporary Literary Criticism > Salinger, J(erome) D(avid) (Vol. 12) - Carl F. Strauch

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CARL F. STRAUCH

[In The Catcher in the Rye,] Salinger sharply accentuates the portrayal of Holden with a symbolic structure of language, motif, episode, and character; and when the complex patterns are discovered, the effect is to concentrate our scrutiny on a masterpiece that moves effortlessly on the colloquial surface and at the same time uncovers, with hypnotic compulsion, a psychological drama of unrelenting terror and final beauty. (p. 6)

Salinger has employed neurotic deterioration, symbolical death, spiritual awakening, and psychological self-cure as the inspiration and burden of an elaborate pattern—verbal, thematic, and episodic, that yields the meaning as the discursive examination of Holden's character and problem out of metaphoric context can never do. Structure is meaning.

As a start, the readiest way of understanding The Catcher lies in an awareness of the dualism or ambivalence of language, for Holden employs both...

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1. Introduction
2. ARTHUR HEISERMAN and JAMES E. MILLER, JR.
3. Frank Kermode
4. Paul Levine
5. Dan Wakefield
6. Arthur Mizener
7. Granville Hicks
8. Michael Walzer
9. Carl F. Strauch
10. John Hermann
11. Robert M. Browne
12. Joan Didion
13. Leslie Fiedler
14. John Updike
15. Warren French
16. CAROL and RICHARD OHMANN
17. GERALDINE De LUCA
18. James Lundquist
19. Copyright

1. Joan Didion