Criticism > Contemporary Literary Criticism > Ray, Satyajit - John Coleman
Ray, Satyajit - John Coleman
JOHN COLEMAN
Company Limited has a bleak, slightly off-key title to British ears and this quality of getting things just that shade wrong is an element in what it is all about. The film takes its place in a trio (the other two, Days and Nights in the Forest and The Adversary) concerned with the effects of what we did to India and Indians. We left them a language, English, and a way of life not unconnected with capitalism. These facts Mr Ray now occupies himself with stressing and, under their impact, he seems to be producing increasingly unnerved and unnerving movies….
If one leans on the pictorial style, it is because it is nearly consistently ugly, harsh, almost as if Ray had decided (and, for heaven's sake, he worked under Renoir and himself made the visually ravishing Charulata) to send up a gamut of Hollywood postures…. Noises, the dialogue, the eerily clumsy or parody appearance of things begin to come together into a...
[The entire page is 310 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Guido Aristarco
- DOUGLAS McVAY
- Jonathan Harker
- Arlene Croce
- Cynthia Grenier
- John Burgess
- John Gillett
- Eric Rhode
- Gordon Gow
- Tony Mallerman
- Eric Rhode
- Peter Cowie
- Penelope Houston
- Richard Schickel
- Richard Schickel
- Chidananda Das Gupta
- Ernest Callenbach
- Elizabeth Sussex
- William S. Pechter
- Tom Milne
- Robin Wood
- Pauline Kael
- Stanley Kauffmann
- Alan Ross
- Tom Milne
- John Coleman
- Penelope Gilliatt
- Penelope Gilliatt
- Judith Crist
- Tom Milne
- Pauline Kael
- John Simon
- John Russell Taylor
- Chris Schemering
- William S. Pechter
- Geoff Brown
- Tom Milne
- J. Hoberman
- Copyright
