Criticism > Contemporary Literary Criticism > Ragni, Gerome - Jonathan Swift
Ragni, Gerome - Jonathan Swift
JONATHAN SWIFT
"What a big put-on!" is the cynical reaction many of us have on first being exposed to Hair. A closer look, however, might cause a wary reevaluation, for Hair's very dynamism could be part of our "hang-up." Unlike most plays in the theatrical tradition, every Hair production is a characteristically unique one…. The musical's ever-changing body at the same time hypnotizes us and deludes us. We must be wary of trying to read too much, of trying to find symbols in every word, in every bar of music: interpretation of the arts can be a treacherous game to play. (p. 626)
Hair has become a cause célèbre by virtue of its choice of language style. Fundamentally, however, if we are to admit that any artistic characterization in order to be true must accurately portray the language of the character speaking, then we should have no difficulty in accepting the language of these young actors—unless, of course, we...
[The entire page is 594 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Clive Barnes
- Edith Oliver
- Howard Taubman
- Robert Brustein
- Henry Hewes
- Gerald Weales
- Clive Barnes
- William Kloman
- John Simon
- William F. Buckley, Jr.
- Theophilus Lewis
- Robert Kotlowitz
- Benedict Nightingale
- John Weightman
- Clive Barnes
- Gene Lees
- John Rockwell
- Peter Schjeldahl
- David Ewen
- Jonathan Swift
- Clive Barnes
- Walter Kerr
- Clive Barnes
- Walter Kerr
- Radcliffe Joe
- Richard Eder
- Brendan Gill
- John Simon
- Copyright
