Criticism > Contemporary Literary Criticism > Ragni, Gerome - Brendan Gill
Ragni, Gerome - Brendan Gill
BRENDAN GILL
Why on earth should anyone have wished to bring back "Hair"? Surely not for any reason as simple as making money. No, I Fear that its producers believed in it and will perhaps not understand why its return amounts to an embarrassment. The novelties that proved attractive almost a decade ago—the easygoing, not to say fugitive, book, the informal relations between audience and cast, and the endearing (and never very erotic) nudity—have lost their power to move us. Except for two or three charming songs, what remains is a sort of cold dregs, which fail to give us even the sorry satisfaction of tasting bitter. It is simply there, poor "Hair,"… all feverishly abustle and all, alas, lifeless.
Brendan Gill, "In the Anteroom," in The New Yorker (© 1977 by The New Yorker Magazine, Inc.), Vol. LIII, No. 35, October 17, 1977, P. 94.
[The entire page is 156 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Clive Barnes
- Edith Oliver
- Howard Taubman
- Robert Brustein
- Henry Hewes
- Gerald Weales
- Clive Barnes
- William Kloman
- John Simon
- William F. Buckley, Jr.
- Theophilus Lewis
- Robert Kotlowitz
- Benedict Nightingale
- John Weightman
- Clive Barnes
- Gene Lees
- John Rockwell
- Peter Schjeldahl
- David Ewen
- Jonathan Swift
- Clive Barnes
- Walter Kerr
- Clive Barnes
- Walter Kerr
- Radcliffe Joe
- Richard Eder
- Brendan Gill
- John Simon
- Copyright
