Criticism > Contemporary Literary Criticism > Plath, Sylvia (Vol. 17) - William Dowie
Plath, Sylvia (Vol. 17) - William Dowie
WILLIAM DOWIE
[While reading Johnny Panic and the Bible of Dreams,] the reader feels as though he is looking at a Sylvia Plath pickled in a laboratory jar….
What we see is not altogether pleasant. Sylvia Plath had an uncommon desire to be a writer…. Her notebook entries reveal her to have been an anxious user of events for the sake of words. Obsessively, she searches for material, for interesting events in life around her; but behind the frantic recording of detail lies a transparent boredom with life….
Reading the notebooks and stories side by side is illuminating not just in the sense of tracing how an artist reworks material from her life into her fiction. Even more revealing is how the flat, dispassionate tones of the notebook carry over into the stories and explain their emotional shallowness. In both places, Plath is the quintessential observer. She watches people closely and etches them cleanly, but a lack of involvement and passion...
[The entire page is 512 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Thomas Blackburn
- John Wain
- John Simon
- Robert Taubman
- Francis Hope
- Peter Davidson
- Dan Jaffe
- Robert Lowell
- William F. Claire
- Eleanor Ross Taylor
- Alicia Ostriker
- Arthur K. Oberg
- Sylvia Robinson Corrigan
- Lynda B. Salamon
- Mary Ellmann
- Robert Scholes
- Phoebe-Lou Adams
- Peter Porter
- Ann Birstein
- Helen Vendler
- Philip Hobsbaum
- M. D. Uroff
- Elizabeth Hardwick
- Stan Smith
- Saul Maloff
- Judith Kroll
- Sandra M. Gilbert
- Caroline King Barnard
- William Dowie
- Jon Rosenblatt
- Hugh Kenner
- Marjorie Perloff
- Carole Ferrier
- Copyright
