Criticism > Contemporary Literary Criticism > Paretsky, Sara - Kathleen Gregory Klein (essay date 1994)
Paretsky, Sara - Kathleen Gregory Klein (essay date 1994)
Kathleen Gregory Klein (essay date 1994)
SOURCE: “Watching Warshawski,” in It's a Print!: Detective Fiction from Page to Screen, edited by William Reynolds and Elizabeth Trembley, Bowling Green State University Popular Press, 1994, pp. 145-56.
[In the following essay, Klein asserts that the commercialization of Paretsky's character V. I. Warshawski in the film of the same name is the main reason the film fails to live up to the novels.]
Hollywood Pictures’ V. I. Warshawski (1991) transforms plots in which Sarah Paretsky carefully weaves professional and personal stories, and where detection is a metaphor for living life, into a simplistic—and essentially unresolved—linear narrative. In the process, Paretsky's detective, V. I. Warshawski, is objectivized and fetishized from an independent, complex woman into a passive object of male desire.
Hollywood Pictures’ release of V. I. Warshawski starring...
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- Introduction
- Principal Works
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Criticism
- Jane S. Bakerman (essay date 1985)
- Richard E. Goodkin (essay date 1989)
- Sara Paretsky with Monica Hileman (interview date March 1989)
- Mary A. Lowry (review date July 1989)
- Maureen T. Reddy (essay date 1990)
- Guy Szuberla (essay date 1991)
- Alison Littler (essay date Winter 1991)
- Glenwood Irons (essay date 1992)
- Gloria A. Biamonte (essay date 1994)
- Kathleen Gregory Klein (essay date 1994)
- Christopher Lehmann-Haupt (review date 20 June 1994)
- Patricia Craig (review date 21 October 1994)
- Glenwood Irons (essay date 1995)
- Margaret Kinsman (essay date 1995)
- Rebecca A. Pope (essay date 1995)
- Ann Wilson (essay date 1995)
- Natasha Cooper (review date 20 October 1995)
- Further Reading
- Copyright
