Criticism > Contemporary Literary Criticism > Paretsky, Sara - Glenwood Irons (essay date 1992)
Paretsky, Sara - Glenwood Irons (essay date 1992)
Glenwood Irons (essay date 1992)
SOURCE: “New Women Detectives: G is for Gender-Bending,” in his Gender Language and Myth: Essays on Popular Narrative, University of Toronto Press, 1992, pp. 127-40.
[In the following essay, Irons discusses how Paretsky and other women writers have altered detective fiction through their use of strong female protagonists.]
Detection à la femme has been extant since the inception of the detective genre. Not long after the publication of ‘Murders in the Rue Morgue,’ Mrs Paschal appeared on the scene. She precipitated a tradition of ‘female sleuths’ who, with the possible exception of Jane Marple, have lived for some time under the shadow of their male colleagues. The majority of female detectives—known disparagingly as ‘knitting spinsters’—while at least as individualistic, daring, and stalwart as their male counterparts, have until recently been dismissed by (mostly) male critics...
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- Introduction
- Principal Works
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Criticism
- Jane S. Bakerman (essay date 1985)
- Richard E. Goodkin (essay date 1989)
- Sara Paretsky with Monica Hileman (interview date March 1989)
- Mary A. Lowry (review date July 1989)
- Maureen T. Reddy (essay date 1990)
- Guy Szuberla (essay date 1991)
- Alison Littler (essay date Winter 1991)
- Glenwood Irons (essay date 1992)
- Gloria A. Biamonte (essay date 1994)
- Kathleen Gregory Klein (essay date 1994)
- Christopher Lehmann-Haupt (review date 20 June 1994)
- Patricia Craig (review date 21 October 1994)
- Glenwood Irons (essay date 1995)
- Margaret Kinsman (essay date 1995)
- Rebecca A. Pope (essay date 1995)
- Ann Wilson (essay date 1995)
- Natasha Cooper (review date 20 October 1995)
- Further Reading
- Copyright
