Criticism > Contemporary Literary Criticism > Paretsky, Sara - Alison Littler (essay date Winter 1991)
Paretsky, Sara - Alison Littler (essay date Winter 1991)
Alison Littler (essay date Winter 1991)
SOURCE: “Marele Day's ‘Cold Hard Bitch’: The Masculinist Imperatives of the Private-Eye Genre,” in Journal of the Narrative Technique, Vol. 21, No. 1, Winter, 1991, pp. 121-35.
[In the following excerpt, Littler analyzes how feminist writers, including Paretsky, have dealt with the requirement of violence in the detective genre.]
I
… Most fiction using women private eyes as central characters and usually as narrators has been published in the U.S. since the 1970s. The earliest exceptions to this period, according to Kathleen Gregory Klein, in The Woman Detective: Gender and Genre are Gale Gallagher's I Found Him Dead (1947) and Chord in Crimson (1949). P. D. James's An Unsuitable Job for a Woman, published in London in 1974, predates M. F. Beal's Chicana private eye, Maria Katerina Lorca Guerrera Alcazar (‘Kat’), and Marcia Muller's Amer-Indian...
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- Introduction
- Principal Works
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Criticism
- Jane S. Bakerman (essay date 1985)
- Richard E. Goodkin (essay date 1989)
- Sara Paretsky with Monica Hileman (interview date March 1989)
- Mary A. Lowry (review date July 1989)
- Maureen T. Reddy (essay date 1990)
- Guy Szuberla (essay date 1991)
- Alison Littler (essay date Winter 1991)
- Glenwood Irons (essay date 1992)
- Gloria A. Biamonte (essay date 1994)
- Kathleen Gregory Klein (essay date 1994)
- Christopher Lehmann-Haupt (review date 20 June 1994)
- Patricia Craig (review date 21 October 1994)
- Glenwood Irons (essay date 1995)
- Margaret Kinsman (essay date 1995)
- Rebecca A. Pope (essay date 1995)
- Ann Wilson (essay date 1995)
- Natasha Cooper (review date 20 October 1995)
- Further Reading
- Copyright
