Criticism > Contemporary Literary Criticism > Oates, Joyce Carol (Vol. 108) - Janis P. Stout (essay date May/June 1983)
Oates, Joyce Carol (Vol. 108) - Janis P. Stout (essay date May/June 1983)
Janis P. Stout (essay date May/June 1983)
SOURCE: "Catatonia and Femininity in Oates's Do with Me What You Will," in International Journal of Women's Studies, Vol. 6, No. 3, May/June, 1983, pp. 208-15.
[In the following essay, Stout discusses the motif of passivity in Do with Me What You Will as a key element of stereotypical femininity.]
Despite her involvement with women characters and the unsparing accuracy with which she has depicted their lives, Joyce Carol Oates is not generally regarded as a feminist writer. One of her more thoroughgoing critics has observed that Oates actually "appears impervious to feminist and liberationist ideas." That appearance derives, in part, from Oates's stance vis a vis historic time and from her tone in speaking out of that stance. Poised at the threshold of social change, she chooses to look back at the gloomy interior or sideways at others poised on that threshold. She does not map out...
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- Introduction
- Principal Works∗
-
Criticism
- Ellen Joseph (review date 25 October 1964)
- Elizabeth Janeway (review date 10 September 1967)
- R. V. Cassill (review date 3 November 1968)
- Janis P. Stout (essay date May/June 1983)
- Cara Chell (essay date 1985)
- Carol A. Martin (essay date Summer 1987)
- G. J. Weinberger (essay date Summer 1988)
- Gerald Early (essay date Fall 1988)
- Margaret Rozga (essay date 1990)
- Marilyn C. Wesley (essay date Winter 1990)
- Joyce Carol Oates with students at Bellarmine College (interview date Fall 1990)
- Sally Robinson (review date Summer 1992)
- Marilyn C. Wesley (essay date Summer 1992)
- Eva Manske (essay date 1992)
- Eleanor J. Bader (review date Winter 1993–94)
- James Carroll (review date 16 October 1994)
- Steven Marcus (review date 8 October 1995)
- Further Reading
- Copyright
