Criticism > Contemporary Literary Criticism > Oates, Joyce Carol (Vol. 108) - Cara Chell (essay date 1985)
Oates, Joyce Carol (Vol. 108) - Cara Chell (essay date 1985)
Cara Chell (essay date 1985)
SOURCE: "Un-Tricking the Eye: Joyce Carol Oates and the Feminist Ghost Story," in The Arizona Quarterly, Vol. 41, No. 1, 1985, pp. 5-23.
[In the essay below, Chell examines Mysteries of Winterthurn for the diverse ways that Oates uses conventions of the ghost story to indicate feminist concerns.]
Joyce Carol Oates has matured into writing feminist fiction. She says (or has said) she isn't doing that: "I am very sympathetic with most of the aims of feminism, but cannot write feminist literature because it is too narrow, too limited." However, while some critics may have defined feminist literature narrowly (insisting on only sympathetic female—not sympathetic male—characters, for example), feminist literature covers as breathtaking a range as feminists, or as women, do themselves. Joyce Carol Oates is writing it. Her discussions of being a "(woman) writer" include recognition of the difficulties...
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- Introduction
- Principal Works∗
-
Criticism
- Ellen Joseph (review date 25 October 1964)
- Elizabeth Janeway (review date 10 September 1967)
- R. V. Cassill (review date 3 November 1968)
- Janis P. Stout (essay date May/June 1983)
- Cara Chell (essay date 1985)
- Carol A. Martin (essay date Summer 1987)
- G. J. Weinberger (essay date Summer 1988)
- Gerald Early (essay date Fall 1988)
- Margaret Rozga (essay date 1990)
- Marilyn C. Wesley (essay date Winter 1990)
- Joyce Carol Oates with students at Bellarmine College (interview date Fall 1990)
- Sally Robinson (review date Summer 1992)
- Marilyn C. Wesley (essay date Summer 1992)
- Eva Manske (essay date 1992)
- Eleanor J. Bader (review date Winter 1993–94)
- James Carroll (review date 16 October 1994)
- Steven Marcus (review date 8 October 1995)
- Further Reading
- Copyright
