Criticism > Contemporary Literary Criticism > Neruda, Pablo (Vol. 28) - Nancy Willard

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Nancy Willard

[In the poem "Ode to Bread," from his collection Elemental Odes,] Neruda wants to do with bread what Stevens did with his jar in Tennessee: to place it on a hill and let its presence tame the wilderness. The comparisons in the first stanza of the poem make it clear that he celebrates bread for being itself, not for being eaten. Making bread is a birth and a growing. Its shape suggests the birth of man, its growth the rebirth of spring, an "equinoctial terrestrial germination" (equinoccial/germinación/terrestre). It grows like a mouth, a breast, a hill, in a universe where everything is alive. Change is the sign of its life. If you cannot change, you cannot grow, and in Neruda's eyes you are less alive than the bread or the hill.

Because bread does not happen by itself, man is as much the subject of the poem as bread. But the "I" of the earlier poems has become "we," and Neruda no longer uses things to carry his private emotions....

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1. Introduction
2. James Wright and Robert Bly
3. Nancy Willard
4. James Wright
5. Fernando Alegria
6. Robert Pring-Mill
7. Rene de Costa
8. Manuel Duran and Margery Safir
9. Robert Bly
10. Jascha Kessler
11. Copyright

1. Pablo Neruda