Criticism > Contemporary Literary Criticism > Murakami, Haruki - Matthew C. Strecher (essay date May 1998)
Murakami, Haruki - Matthew C. Strecher (essay date May 1998)
Matthew C. Strecher (essay date May 1998)
SOURCE: “Beyond ‘Pure’ Literature: Mimesis, Formula, and the Postmodern in the Fiction of Murakami Haruki,” in Journal of Asian Studies, Vol. 57, No. 2, May, 1998, pp. 354–78.
[Strecher is an assistant professor of Japanese Language, Literature, and Culture at the University of Montana. In the following essay, he discusses Murakami's narrative strategies and styles in A Wild Sheep Chase, Hard-Boiled Wonderland and the End of the World, and Norwegian Wood, speculating on the novelist's achievement in relation to both the traditions of jun-bungaku and postmodernism.]
With the publication of Kaze no uta o kike (Hear the Wind Sing; 1979), Murakami Haruki (b. 1949) found himself more or less at odds with well-known members of the Japanese literary establishment. If one takes Murakami at his word, this was not the result of conscious effort on his...
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Criticism
- Naomi Matsuoka (essay date 1993)
- Yoshio Iwamoto (essay date Spring 1993)
- David L. Ulin (review date 4 April 1993)
- Brooke Horvath (review date Fall 1993)
- Jim McCue (review date 19 November 1993)
- Constance Markey (review date 2 January 1994)
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- Celeste Loughman (essay date Winter 1997)
- Elizabeth Ward (review date 9 November 1997)
- Lindsley Cameron (review date 1998)
- Edward Hower (review date May 1998)
- Matthew C. Strecher (essay date May 1998)
- Julian Ferraro (review date 1 May 1998)
- Michael Wood (review date 11 May 1998)
- Tom Hiney (review date 20 June 1998)
- Yoshiko Yokochi Samuel (review date Spring 1999)
- Phil Baker (review date 23 July 1999)
- Lorna Sage (review date 30 September 1999)
- Scott Reyburn (review date 15 November 1999)
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