Murakami, Haruki - Copyright Page

ISSN 0091-3421

Volume 150

Contemporary Literary Criticism

Criticism of the Works of Today’s Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers

Jeffrey W. Hunter

SENIOR EDITOR

Tom Burns

ASSISTANT EDITOR

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ISBN 0-7876-5850-2
ISSN 0091-3421
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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of CLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN CLC, VOLUME 150, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Australian Book Review, v. 158, February, 1994. Reproduced by permission.—Belles Lettres, v. 4, Summer, 1989; v. 9, Winter, 1993. Reproduced by permission.—Book World–The Washington Post, v. XII, May 9, 1982 for “Finish, Good Lady: The Bright Day is Done” by Julia Epstein; v. XVII, June 28, 1987 for “The Burgher Kings” by Witold Rybczynski; May 5, 1991 for a review of The Middle Kingdom by Katherine A. Powers; June 7, 1993 for “Collision of Dreams,” by Pinckney Benedict; v. 24, January 16, 1994 for “The Long Sayonara” by Elizabeth Ward; v. 27, November 9, 1997 for “A Medley of Good and Evil” by Elizabeth Ward; August 30, 1998 for “Sailing Into Madness” by Jonathan Yardley; November 28, 1999 for “Picturing Himself” by Richard E. Spear. Reproduced by permission of the respective authors.— Cambridge Quarterly, v. 21, 1992 for “Who’s Afraid of Christa Wolf?” by Evelyn Juers. Copyright © 1992 by the Editors. Reproduced by permission of the author.—Chicago Tribune Books, January 2, 1994 for “In the Steps of a Japanese Gumshoe” by Constance Markey; September 13, 1998 for “Exploring Inner Landscapes” by Philip Graham. Reproduced by permission of the respective authors.—CLIO, v. 29, Fall, 1999. Copyright © 1999 by Purdue Research Foundation. Reproduced by permission.—Commonweal, September 13, 1991. Copyright © 1991 Commonweal Publishing Co., Inc. Reproduced by permission.—Comparative Literature Studies, v. 30, 1993. Copyright 1993 by The Pennsylvania State University. Reproduced by permission of The Pennsylvania State University Press.—Critique, v. XXVIII, Spring, 1987. Reproduced by permission.—Cross Currents, n. 11, 1992. Copyright © 1992 by Ladislav Matejka. Reproduced by permission.—Differences: A Journal of Feminist Cultural Studies, v. 5, Summer, 1993. Reproduced by permission of Indiana University Press.—The Georgia Review, v. 50, Winter, 1996. Copyright, 1996, by the University of Georgia. Reproduced by permission.—The Germanic Review, v. LXVII, Fall, 1992 for “‘We Erect Our Structure in the Imagination before We Erect It in Reality’ (Karl Marx, Das Kapital) Postmodern Reflection on Christa Wolf,” by Dieter Saalmann. Reproduced by permission of the author.—The Historian, v. LII, August, 1990. Reproduced by permission.—History, v. 74, June, 1989. Reproduced by permission.—The Hudson Review, v. XLVI, Winter, 1994; v. 52, Spring, 1999. Copyright © 1994, 1999 by The Hudson Review, Inc. Reproduced by permission.—Journal of Asian Studies, v. 57, May, 1998. © 1998 by the Association for Asian Studies, Inc. Reproduced by permission of the Association for Asian Studies, Inc.—Journal of Modern History, v. 65, March, 1993. Copyright © 1993 by The University of Chicago. Reproduced by permission.—The Kenyon Review, v. XIX, Winter, 1997 for “Looking Under the Landscape” by Kay Ryan. Copyright © 1997 by Kenyon College. All rights reserved. Reproduced by permission of the author.—London Review of Books, March 21, 1991 for “Resentment” by John Sutherland; May 27, 1993 for “In the Doghouse” by Michael Hofmann; November 12, 1998 for “That Stupid Pelt” by Helen King; v. 21, September 30, 1999 for “A Simpler, More Physical Kind of Empathy” by Lorna Sage. Appears here by permission of the London Review of Books.—Los Angeles Times Book Review, May 21, 1989; June 4, 1989; April 4, 1993; April 25, 1993; June 29, 1993; April 16, 1995; December 7, 1998; November 14, 1999. Copyright © 1989, 1993, 1995, 1998, 1999 Los Angeles Times. Reproduced by permission.—Meanjin, v. 44, March, 1985 “Christa Wolf” by Sneja Gunew. Reproduced by permission of the author.—Michigan Quarterly Review, v. XXXV, Spring, 1996 for “Academic Persuasions: On Sahlins and Schama” by Barbara Ryan. Reproduced by permission of the author.— Monatshefte, v. 84, Spring, 1992. Copyright © 1992 The Board of Regents of the University of Wisconsin System. All rights reserved. Reproduced by permission.—Mosaic, v. 23, Summer, 1990. © Mosaic 1990. Acknowledgment of previous publication is herewith made.—The Nation, New York, March 12, 1990; April 5, 1993; November 3, 1997. Copyright © 1990, 1993, 1997 The Nation magazine/The Nation Company, Inc. Reproduced by permission.—New German Critique, n. 64, Winter, 1995. Reproduced by permission.—New Left Review, n. 231, September-October, 1998. Reproduced by permission.—The New Republic, August 24, 1987; April 17, 1989; June 3, 1991; August 7, 1995; v. 218, May 11, 1998; July 20 & 27, 1998; December 6, 1999; December 4, 2000. © 1987, 1989, 1991, 1995, 1998, 1999, 2000 The New Republic, Inc. Reproduced by permission of The New Republic.—New Statesman, v. 93, April 15, 1977; September 18, 1981; v. 128, November 15, 1999; v. 128, November 15, 1999; October 30, 2000. Copyright © 1977, 1981, 1999, 2000

Statesman & Nation Publishing Company Limited. Reproduced by permission.—New Statesman & Society, April 14, 1989; May 26, 1989; June 7, 1991; April 23, 1993; April 21, 1995; September 22, 1995. © 1989, 1991, 1993, 1995 Statesman & Nation Publishing Company Limited. Reproduced by permission.—New York Review of Books, April 13, 1989; June 27, 1991; September 21, 1995. Copyright © 1989, 1991, 1995 Nyrev, Inc. Reproduced with permission from The New York Review of Books.—Partisan Review, v. LVII, Summer, 1990 for “The French Revolution and the Language of Terror” by Susan Dunn; v. LVII, Summer, 1990 for “Reinventing the Revolution” by Steven Marcus.. Copyright © 1989, 1990 by Partisan Review. Reproduced by permission of the respective authors.—Publishers Weekly, v. 245, August 10, 1998. Copyright 1998 by Reed Publishing USA. Reproduced by permission.—Review of Contemporary Fiction, v. 13, Fall, 1993. Copyright, 1993, by John O’Brien. Reproduced by permission.—Salmagundi, n. 92, Fall, 1991. Copyright © 1991 by Skidmore College. Reproduced by permission.—Sewanee Review, v. C, Winter, 1992; v. CIV, Fall, 1996. Copyright © 1992, 1996 by The University of the South. Reproduced by permission of the editor.—The Spectator, London, v. 243, September 22, 1979; v. 247, October 17, 1981; September 19, 1987; March 11, 1989; July 15, 1989; June 1, 1991; April 8, 1995; June 20, 1998; March 6, 1999; October 30, 1999; n. 2985, October 21, 2000; October 28, 2000; December 9, 2000. © 1979, 1981, 1987, 1989, 1991, 1995, 1998, 1999, 2000 by The Spectator. Reproduced by permission.—Times Literary Supplement, May 12, 1989; n. 4586, February 22, 1991; July 2, 1993; n. 4722, October 1, 1993; November 19, 1993; March 18, 1994; April 7, 1995; October 4, 1996; n. 4930, September 26, 1997; May 1, 1998; n. 4981, September 18, 1998; March 5, 1999; July 23, 1999; November 5, 1999; December 10, 1999; n. 5093, November 10, 2000. © The Times Supplements Limited 1989, 1991, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000 Reproduced from The Times Literary Supplement by permission.—Wilson Quarterly, v. XVII, Summer, 1993. Reproduced by permission.—Women in German Yearbook, v. 7, 1991. © 1991 by the University of Nebraska Press. Reproduced by permission.—Women’s Review of Books, v. XVI, December, 1998 for “Winters of Discontent” by Carol Anshaw. Reproduced by permission of the author.— The World & I, v. 13, May, 1998. Copyright Washington Times Corporation. Reproduced by permission.—World Literature Today, v. 63, Spring, 1989; v. 63, Autumn, 1989; v. 64, Spring, 1990; v. 65, Winter, 1991; v. 67, Spring, 1993; v. 68, Spring, 1994; v. 69, Summer, 1995; v. 71, Winter, 1997; v. 73, Spring, 1999. Copyright 1989, 1990, 1991, 1993, 1994, 1995, 1997, 1999 by the University of Oklahoma Press. Reproduced by permission.—Yale Review, v. 86, 1998. Copyright 1998 by Yale University. Reproduced by permission of the editor and Blackwell Publishers.

COPYRIGHTED MATERIAL IN CLC, VOLUME 150, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Gonzalez, Rosa. From Ireland in Writing: Interviews with Writers and Academics. Edited by Jacqueline Hurtley and Others. Rodopi, 1998. © Editions Rodopi B. V. Reproduced by permission.—Kuhn, Anna K. From Christa Wolf’s Utopian Vision: From Marxism to Feminism. Cambridge University Press, 1988. © Cambridge University Press 1988. Reproduced by permission of the publisher and author.—Resch, Margit. From Understanding Christa Wolf: Returning Home to a Foreign Land. University of South Carolina Press, 1997. Copyright © 1997 University of South Carolina. Reproduced by permission.—Voris, Renate. From “The Hysteric and the Mimic: Reading Christa Wolf’s ‘The Quest for Christa T.’,” in Writing the Woman Artist: Essays on Poetics, Politics, and Portraiture. Edited by Suzanne W. Jones. University of Pennsylvania Press, 1991. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CLC, VOLUME 150, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Carroll, James, Andrea Barrett, and Victor Martinez, photograph by Wally Santana. AP/Wide World Photos. Reproduced by permission.—Murakami, Haruki, photograph by Katsumi Kasahara. AP/Wide World Photos. Reproduced by permission.— Schama, Simon, photograph by Marzena Pogorzaly. Reproduced by permission of Simon Schama.—Wolf, Christa, photograph. AP/Wide World Photos. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Patricia Sarles, MA, MLS

Principal Librarian Canarsie High School Library The Scholars’ Centre Brooklyn, New York University of Western Australia Library

Mark Schumacher Steven R. Harris

English Literature Librarian Jackson Library University of Tennessee University of North Carolina at Greensboro

Mary Jane Marden Gwen Scott-Miller

Literature and General Reference Librarian Humanities Department Manager St. Petersburg Jr. College Seattle Public Library

Catherine Palmer Instructional Services Librarian and English and Com-Ann Marie Wiescinski parative Literature Librarian Central High School Library University of California, Irvine Bay City, Michigan