McLuhan, Marshall - Introduction
Marshall McLuhan 1911–1980
(Full name Herbert Marshall McLuhan) Canadian non-fiction writer, critic, and editor.
The following entry provides an overview of McLuhan's career. For further information on his life and works, see CLC, Volume 37.
INTRODUCTION
McLuhan gained notoriety during the 1960s for his controversial theories on communications and for the experimental literary forms in which he presented his concepts. "McLuhanism" is a term that critics apply to his theories and to the aphorisms and puns he commonly used to stimulate reader curiosity and to draw attention to his ideas. The most famous McLuhanism—"the medium is the message"—is a pivotal concept in his beliefs. McLuhan emphasized that human societies are shaped by the nature of their communications media; thus, the media through which society communicates has more impact than the content of the messages being relayed. He argued further that recently developed electronic media—particularly television, which has become the dominant form of communication in the twentieth century—are significantly altering contemporary lifestyles and initiating a new stage in human development.
Biographical Information
The son of a real estate and insurance salesman and an actress, McLuhan was born in Edmonton, Alberta, and grew up in Winnipeg, Manitoba. Though he entered the University of Manitoba as an engineering student, McLuhan switched to English, earning his M.A. degree in 1934 with a thesis on George Meredith. He spent the next two years at Cambridge University, where he attended lectures by I. A. Richards and F. R. Leavis. During his stay in England, he converted to Roman Catholicism, the beliefs of which would exert a strong influence on his later thinking. McLuhan began his teaching career in 1936 at the University of Wisconsin in Madison; he then moved in 1937 to the University of St. Louis, where he remained until 1944. After two years at Assumption University (now the University of Windsor) in Ontario, McLuhan accepted a position at St. Michael's College of the University of Toronto, where he taught for the remainder of his career.
Major Works
McLuhan's theories are elaborated in his three most important works, The Gutenberg Galaxy: The Making of Typographic Man (1962), Understanding Media: The Extensions of Man (1964), and The Medium Is the Massage: An

Critical Reception
Critics have acknowledged the important implications of McLuhan's theories and the fact that he was exploring aspects of popular culture that had been neglected by social scientists. Despite his popularity, though, critical response to The Gutenberg Galaxy and Understanding Media was largely negative. Many critics cited McLuhan's montage-like presentation of ideas as a major obstacle in conveying his ideas. McLuhan attempted to duplicate in typographic form the ways in which electronic mediums convey messages, relying on repetition, generalizations, puns, and a rapid delivery. Other commentators claimed that his facts were inaccurate, that his definitions of analytical terms lacked precision and consistency, and that his arguments were undeveloped, illogical, and obscure. McLuhan countered such criticism by maintaining that his ideas were meant to be "probes" rather than logically argued theses and that he was primarily interested in stimulating discussion of the new electronic technologies as a means toward understanding and controlling them. In retrospect, most critics view him as an important figure for having drawn attention to the relationship between communication and culture in the contemporary world.
