Criticism > Contemporary Literary Criticism > Martel, Yann - Copyright Page

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Contemporary Literary Criticism, Vol. 192

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CLC provides significant passages from published criticism of works by creative writers. Since many of the authors covered in CLC inspire continual critical commentary, writers are often represented in more than one volume. There is, of course, no duplication of reprinted criticism.

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vii

Resource Links. Reproduced by permission.—Review of Contemporary Fiction, v. 14, spring, 1994; v. 23, spring, 2003. Copyright © 1994, 2003 by the Review of Contemporary Fiction. Both reproduced by permission.—Science-Fiction Studies, v. 20, July, 1993; 21, July, 1994; v. 22, March, 1995; v. 25, November, 1998 Copyright © 1993, 1994, 1995, 1998 by Science-Fiction Studies. All reproduced by permission.—Sight and Sound, v. 5, July, 1995. Copyright © 1995, by Sight and Sound. Reproduced by permission.—Sojourners, v. 32, March-April, 2003. All rights reserved. Reprinted with permission from Sojourners. (800) 714-7474, www.sojo.net.—South Atlantic Quarterly, v. 92, fall, 1993. Copyright © 1993, by Duke University Press. All rights reserved. Reproduced by permission of the publisher.—The Spectator, v. 288, May 18, 2002. Copyright © 2002 by The Spectator. Reproduced by permission of The Spectator.—Times Literary Supplement, May 27, 1994; November 22, 1996; July 19, 2002 Copyright © 1994, 1996, 2002 by Times Literary Supplements Limited. All reproduced from the Times Literary Supplement by permission.—University of Toronto Quarterly, v. 62, September, 1992;

v. 62, Winter, 1992/93. Copyright © 1992 by the University of Toronto Press. Both reproduced by permission of University of Toronto Press Incorporated.—Washington Post Book World, v. 26, October 27, 1996. Copyright © 1996, Washington Post Book World Service/Washington Post Writers Group. Reproduced by permission of the author.—Wired, v. 11, February 2003. Copyright © 2003, by Conde Nast Publications. All rights reserved. Reproduced by permission.—Women’s Review of Books, v. 15, April, 1998 for “Archetypes of Exile” by Suzanne Ruta. Reproduced by permission of author.— World Literature Today, v. 71, spring, 1997. Copyright © 1997 by the University of Oklahoma Press. Reproduced by permission of the publisher.

COPYRIGHTED MATERIAL IN CLC, VOLUME 192, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Alkon, Paul. From Fiction 2000: Cyberpunk and the Future of Narrative. Edited by George Slusser and Tom Shippey. University of Georgia Press. 1992. Copyright © 1992, by the University of Georgia Press. All rights reserved. Reproduced by permission.—Brydon, Diana. From “Reading Dionne Brand’s ‘Blues Spiritual for Mammy Prater,’” in Inside the Poem: Essays and Poems in Honour of Donald Stephens. Edited by W. H. New. Oxford University Press, 1992. Copyright © Oxford University Press Canada 1992. Reproduced by permission.—Daurio, Beverley. From The Power to Bend Spoons: Interviews with Canadian Novelists. The Mercury Press, 1998. Copyright © 1998 Beverley Daurio. All rights reserved. Reproduced by permission of the author.—Gibson, William, with Larry McCaffery. From Across the Wounded Galaxies: Interviews with Contemporary American Science Fiction Writers. University of Illinois Press. 1990. Copyright © 1990, by the Board of Trustees of the University of Illinois. Reproduced by permission.—Hayles, N. Katherine. From Immortal Engines: Life Extension and Immortality in Science Fiction and Fantasy. Edited by George Slusser, Gary Westfahl, and Eric S. Rabkin. University of Georgia Press. 1996. Copyright © 1996, by the University of Georgia Press. All rights reserved. Reproduced by permission.—Tanner, Tony. From Thomas Pynchon. Methuen, 1982. Copyright © 1982, by Tony Tanner. All rights reserved. Reproduced by permission of the publisher and author.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CLC, VOLUME 192, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Brand, Dionne, photograph by Neil Graham. Reproduced by permission.—Martel, Yann, photograph by Alastari Grant. AP/ Wide World Photos. Reproduced by permission.