Criticism > Contemporary Literary Criticism > Malcolm, Janet - Robert Coles (review date spring 1998)
Malcolm, Janet - Robert Coles (review date spring 1998)
Robert Coles (review date spring 1998)
SOURCE: Coles, Robert. Review of Diana & Nikon, by Janet Malcolm. Wilson Quarterly 22, no. 2 (spring 1998): 106.
[In the following review, Coles alleges that in Diana & Nikon Malcolm attempts to emphasize the vagueness of photography, both in terms of artistic intent and interpretation.]
The adage has it that a picture is worth a thousand words, but [in Diana & Nikon] the essayist Janet Malcolm manages deftly to reverse that assertion—indeed, to make the reader in some instances quite wary of a given photographer's intentions and work. For many years in the pages of the New Yorker, Malcolm has displayed a talent for getting to the bare bones of the matter, and, not rarely, a brusque impatience with the received pieties that go unexamined. In a sense, photography itself has become one of those pieties, its supposed “truths” an easy bromide, gladly accepted as...
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- Robin Tolmach Lakoff and Mandy Aftel (essay date 16 December 1996)
- Robert Coles (review date spring 1998)
- Anne Chisholm (review date 17 October 1998)
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- Richard Lamb (review date 5 April 1999)
- Joyce Carol Oates (review date 8 April 1999)
- Richard A. Posner (review date 19 April 1999)
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- Sebastian Smee (review date 8 February 2003)
- Doris L. Eder (essay date October 2004)
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