Malcolm, Janet - Copyright Page
ISSN 0091-3421
Volume 201
Contemporary Literary Criticism
Criticism of the Works of Today’s Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers
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Contemporary Literary Criticism, Vol. 201
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LIBRARY OF CONGRESS CATALOG CARD NUMBER 76-46132
ISBN 0-7876-7971-2
ISSN 0091-3421
Printed in the United States of America 10987654321
Preface
Scope of the Series
CLC provides significant passages from published criticism of works by creative writers. Since many of the authors covered in CLC inspire continual critical commentary, writers are often represented in more than one volume. There is, of course, no duplication of reprinted criticism.
Authors are selected for inclusion for a variety of reasons, among them the publication or dramatic production of a critically acclaimed new work, the reception of a major literary award, revival of interest in past writings, or the adaptation of a literary work to film or television.
Attention is also given to several other groups of writers—authors of considerable public interest—about whose work criticism is often difficult to locate. These include mystery and science fiction writers, literary and social critics, foreign authors, and authors who represent particular ethnic groups.
Each CLC volume contains individual essays and reviews taken from hundreds of book review periodicals, general magazines, scholarly journals, monographs, and books. Entries include critical evaluations spanning from the beginning of an author’s career to the most current commentary. Interviews, feature articles, and other published writings that offer insight into the author’s works are also presented. Students, teachers, librarians, and researchers will find that the general critical and biographical material in CLC provides them with vital information required to write a term paper, analyze a poem, or lead a book discussion group. In addition, complete biographical citations note the original source and all of the information necessary for a term paper footnote or bibliography.
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by permission of The Johns Hopkins University.—The Nation, v. 250, June 25, 1990; v. 263, December 26, 1996; v. 270, June 12, 2000; v. 272, June 11, 2001. Copyright © 1990, 1996, 2000, 2001 by The Nation Magazine/The Nation Company, Inc. All reproduced by permission.—New England Review, v. 12, winter, 1989 for “Review of The Irish for No” by John Drexel; v. 15, summer, 1993 for “Flirting with the Past” by Pamela Erens; v. 24, summer, 2003 for “On the Road with Philip Roth” by Mark Shechner. Copyright © 1989, 1993, 2003 by Middlebury College Publications. All reproduced by permission of the respective authors.—The New Leader, v. 77, March 14-28, 1994; v. 82, April 5, 1999; v. LXXXIII, May-June, 2000; v. 84, May, 2001; v. 84, November-December, 2001. Copyright © 1994, 1999, 2000, 2001 by The American Labor Conference on International Affairs, Inc. All reproduced by permission.—The New Republic, v. 185, September 16, 1981; v. 210, June 6, 1994; v. 220, April 19, 1999; v. 222, April 17-24, 2000; v. 224, May 21, 2001. Copyright © 1981, 1994, 1999, 2000, 2001 by The New Republic, Inc. All reproduced by permission of The New Republic.—New Statesman,
COPYRIGHTED MATERIAL IN CLC, VOLUME 201, WAS REPRODUCED FROM THE FOLLOWING BOOKS:
Krupnick, Mark. From “Jewish Autobiographies and the Counter-Example of Philip Roth,” in American Literary Dimensions. Edited by Ben Siegel and Jay L. Halio. University of Delaware Press, 1999. Copyright © 1999 by Associated University Presses, Inc. Reproduced by permission.—Milowitz, Steven. From “Holocaust Writing,” in Philip Roth Considered: The Concentrationary Universe of the American Writer. Garland Publishing, Inc., 2000. Copyright © 2000 by Steven Milowitz. Reproduced by permission of Routledge/Taylor & Francis Books, Inc., and the author.
PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CLC, VOLUME 201, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Gitlin, Todd, photograph. Copyright © Mary Hanlon.—Malcom, Janet, photograph. Copyright © Jerry Bauer.—Roth, Philip, photograph. AP/Wide World Photos.
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