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America, v. 175, December 7, 1996. © 1996. All rights reserved. Reproduced with permission of America Press, Inc., 106 West 56th Street, New York, NY 10019, www.americamagazine.org. Reproduced by permission.—American Book Review,

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Copyright, 1996 by The College Language Association. Reproduced by permission of The College Language Association.—Clio, v. 21, 1992 for “Metafiction as a Rhetorical Device in Hegel’s ‘History of Absolute Spirit’ and Gabriel Garcia Marquez’s; One Hundred Years of Solitude” by Iddo Landau; v. 28, Summer, 1999 for “‘Searching for the Route of Inventions’: Retracing the Renaissance Discovery Narrative in Gabriel Garcia Marquez” by Elizabeth A. Spiller. Reproduced by permission of the publisher and the respective authors.—College Literature, v. 26, Spring, 1999. Copyright © 1999 by West Chester University. Reproduced by permission.—Commentary, v. 106, September, 1998 for “The Unexamined Life” by Elizabeth Powers. Copyright © 1998 by the American Jewish Committee. All rights reserved. Reproduced by permission of the publisher and the author.— Commonweal, v. CXVIII, November 9, 1990; v. CXXIV, September 26, 1997. Copyright © 1990, 1997 Commonweal Publishing Co., Inc. Reproduced by permission of Commonweal Foundation.—Comparative Literature Studies, v. 33, n. 4, 1996, pp. 372-95, for “To See or Not to See: Invisibility, Clairvoyance, and Re-visions of History in Invisible Man and La casa de los espíritus” by Deborah Cohn. Copyright © 1996 The Pennsylvania State University. Reproduced by permission of the publisher.—Critique, v. 32, Fall, 1990; v. 38, Winter, 1997. Copyright © 1990, 1997 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—Dissent, v. 32, Spring, 1985. Reproduced by permission.— Explicator, v. 59, Fall, 2000. Copyright © 2000 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—History & Geography, v. 23, November, 1993. Reproduced by permission.—The Hudson Review, v. 54, Spring, 2001. Copyright © 2001 by The Hudson Review, Inc. Reproduced by permission.—Latin American Literary Review, v. 21, June, 1993. Reproduced by permission.—Letras Femeninas, v. 20, Spring-Fall, 1994. Reproduced by permission.—London Review of Books, v. 19, October 39, 1997. Appears here by permission of the London Review of Books.—Los Angeles Times Book Review, July 25, 1982; July 9, 1989; October 3, 1993; November 19, 1995; June 1, 1997; January 2, 2000. Copyright, 1982, 1989, 1993, 1995, 1997, 2000. Los Angeles Times. Reproduced by permission.— Los Angeles Times, September 3, 1992; November 16, 2001; February 16, 2003. Copyright, 1992, 2001, 2003. Los Angeles Times. Reproduced by permission.—Maclean’s, v. 103, October 22, 1990; v. 108, July 24, 1995; v. 110, September 1, 1997. © 1990, 1995, 1997 by Maclean’s Magazine. 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Copyright © 1995 by the New York Times Company. Reproduced by permission of the author.— Notes and Queries, v. 46, March, 1999, in a review of Walking in the Shade: Volume Two of My Autobiography, 19491962, review by Mara Kalnins. Reproduced by permission of the publisher and the author.—Partisan Review, v. 60, Winter, 1993, for a review of “Before and After” by Pearl K. Bell. Copyright © 1993 by Pearl K. Bell; v. 64, Summer, 1997, for “Possessed by Love” by Millicent Bell. Copyright © 1997 by Millicent Bell. Reproduced by permission of the respective authors.—Prairie Schooner, v. 59, Summer, 1985. © 1985 by University of Nebraska Press. Reproduced from Prairie Schooner by permission of the University of Nebraska Press.—The Progressive, v. 63, June, 1999 for an interview with Doris Lessing by Jonah Raskin. Copyright © 1999 Jonah Raskin. All rights reserved. Reproduced by permission of the author.—Publishers Weekly, v. 249, January 21, 2002. Copyright 2002 by Reed Publishing USA. Reproduced by permission.—Quadrant, July-August, 2000, for “In Navajo Country” by Kevin Murray. Reproduced by permission of the author.—Raritan: A Quarterly Review, v. 18, Summer, 1998. Copyright © 1998 by Raritan: A Quarterly Review. Reproduced by permission.—Review of Contemporary Fiction, v. 14, Spring, 1994. Copyright, 1994, by John O’Brien. Reproduced by permission.—Romance Notes, v. 33, Spring, 1993. Reproduced by permission.—The San Francisco Review of Books, v. 20, May-June, 1995. Reproduced by permission.—School Library Journal, v. 43, April, 1997; v. 45, January, 1999. Copyright © 1987, 1999. Reproduced from School Library Journal, a Cahners/R. R. Bowker Publication, by permission.—The Spectator, London, v. 275, July 22, 1995; v. 278, June 28, 1997; v. 279, December 6, 1997; v. 284, June 24, 2000; v. 287, September 1, 2001. © 1995, 1997, 2000 by The Spectator. Reproduced by permission of The Spectator.— Studies in Contemporary Satire, v. 19, 1995. Reproduced by permission.—Studies in Short Fiction, v. 28, Summer, 1991. Copyright 1991 by Newberry College. Reproduced by permission.—Studies in Twentieth Century Literature, v. 14, Winter, 1990; v. 17, Summer, 1993; v. 19, Summer, 1995. Copyright © 1990, 1993, 1995 by Studies in Twentieth Century Literature. Reproduced by permission.—Times Literary Supplement, n. 4581, January 18, 1991; n. September 27, 1991; n. 4692, March 5, 1993; n. 4720, September 17, 1993; n. 4814, July 7, 1995; n. 4853, April 5, 1996; n. 4879, October 4, 1996; n. 4919, July 11, 1997; n. 4940, April 2, 1999; n. 5041, November 12, 1999; n. 5140, October 5, 2001. © The Times Supplements Limited 1991, 1993, 1995, 1996, 1997, 1999, 2001. Reproduced from The Times Literary Supplement by permission.—Western American Literature, v. XXVIII, Summer, 1993; v. XXVIII, Summer, 1993. Copyright 1993, by the Western American Literature Association. Reproduced by permission.—Women’s Review of Books, v. 13, November, 1995;

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COPYRIGHTED MATERIAL IN CLC, VOLUME 170, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Helsper, Norma. From “Binding the Wounds of the Body Politic: Nation as Family in La casa de los espíritus,” in Critical Approaches to Isabel Allende’s Novels. Edited by Sonia Riquelme Rojas and Edna Aguirre Rehbein. P. Lang, 1991. Reproduced by permission.—Rehbein, Edna Aguirre. From “Isabel Allende’s Eva Luna and the Act/Art of Narrating,” in Critical Approaches to Isabel Allende’s Novels. Edited by Sonia Riquelme Rojas and Edna Aguirre Rehbein. P. Lang, 1991. Reproduced by permission.—Rowland, Susan. From “‘Transformed and Translated’: The Colonized Reader of Doris Lessing’s Canopus in Argos Space Fiction,” in British Women Writing Fiction. Edited by Abby H. P. Werlock. University of Alabama Press, 2000. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CLC, VOLUME 170, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Allende, Isabel, photograph. AP/Wide World Photos. Reproduced by permission.—Rosellen Brown: Photograph. © Jerry Bauer. Reproduced by permission.—Hillerman, Tony, photograph. AP/Wide World Photos. Reproduced by permission.— Lessing, Doris, photograph. © Jerry Bauer. Reproduced by permission.—Ma´rquez, Gabriel Garcı´a, photograph. AP/Wide World Photos. Reproduced by permission.

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