Criticism > Contemporary Literary Criticism > L'Engle, Madeleine - John W. Conner
L'Engle, Madeleine - John W. Conner
JOHN W. CONNER
Madeleine L'Engle is an avid spectator of life. Her word portraits of personalities she includes in A Circle of Quiet reveal a respectable ability to get into the character of another, feeling about until she hits a responsive nerve. (p. 767)
Snatches of A Circle of Quiet keep reoccurring in my memory as I go about the business of daily living. For example, chapters sprinkled throughout the book contain excellent advice for fledgling writers. I find myself explaining how the author uses her journals, or the importance of showing a reader rather than reporting to a reader when writing fiction, or the reality in characterization which comes only from allowing an imaginary character to develop naturally. A thread of irrepressible humor runs through A Circle of Quiet. Madeleine L'Engle has reached a stage in her maturity where she can easily smile at her own foibles. It is wonderfully refreshing to read her...
[The entire page is 297 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Mary Ross
- Nina Brown Baker
- Edward Weeks
- Eunice Holsaert
- Ellen Lewis Buell
- Rose Feld
- Trudie Osborne
- Harrison Smith
- Ruth Hill Viguers
- Alice Dalgliesh
- Ruth Hill Viguers
- Carolyn M. Light
- Alice Dalgliesh
- Carolyn Horovitz
- Elaine Moss
- Jean C. Thomson
- Paul Heins
- GERALDINE E. LaROCQUE
- GERALDINE E. LaROCQUE
- John Conner
- John W. Conner
- Polly Longsworth
- John W. Conner
- MAY HILL ARBUTHNOT and ZENA SUTHERLAND
- John Rowe Townsend
- Robert Bell
- Wayne Dodd
- Barbara Elleman
- Cynthia Benjamin
- Craig Wallace Barrow
- Rebecca J. Lukens
- Jean F. Mercier
- Karen M. Klockner
- Copyright
