Criticism > Contemporary Literary Criticism > To Kill a Mockingbird, Harper Lee - Copyright Page

Project Editor

Jeffrey W. Hunter

Editorial

Jessica Bomarito, Tom Burns, Kathy D. Darrow, Jelena O. Krstovi´c, Michelle Lee, Ellen McGeagh, Joseph Palmisano, Linda Pavlovski, Thomas J. Schoenberg, Lawrence J. Trudeau, Russel Whitaker

Data Capture

Francis Monroe, Gwen Tucker

© 2005 Thomson Gale, a part of The Thomson Corporation. Thomson and Star Logo are trademarks and Gale is a registered trademark used herein under license.

For more information, contact

Thomson Gale 27500 Drake Rd. Farmington Hills, MI 48331-3535 Or you can visit our internet site at http://www.gale.com

ALL RIGHTS RESERVED

No part of this work covered by the copyright herein may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution, or information storage retrieval systems—without the written permission of the publisher.

Contemporary Literary Criticism, Vol. 194

Indexing Services

Laurie Andriot

Rights and Acquisitions

Margaret Chamberlain, Lori Hines, Sue
Rudolph

Imaging and Multimedia

Dean Dauphinais, Leitha Etheridge-Sims,
Lezlie Light, Mike Logusz, Dan Newell,
Christine O’Bryan, Kelly A. Quin, Denay
Wilding, Robyn Young

This publication is a creative work fully

protected by all applicable copyright laws, as

well as by misappropriation, trade secret,

unfair competition, and other applicable laws.

The authors and editors of this work have

added value to the underlying factual mate

rial herein through one or more of the fol

lowing: unique and original selection,

coordination, expression, arrangement, and

classification of the information.

For permission to use material from the

product, submit your request via the Web at

http://www.gale-edit.com/permissions, or you

may download our Permissions Request form

and submit your request by fax or mail to:

Permisssions Department

Thomson Gale
27500 Drake Rd.
Farmington Hills, MI 48331-3535
Permissions Hotline:
248-699-8006 or 800-877-4253, ext. 8006
Fax 248-699-8074 or 800-762-4058

Composition and Electronic Prepress

Kathy Sauer

Manufacturing

Rhonda Williams

Product Manager

Janet Witalec

Since this page cannot legibly accommodate all copyright notices, the acknowledgments constitute an extension of the copyright notice.

While every effort has been made to secure permission to reprint material and to ensure the reliability of the information presented in this publication, Thomson Gale neither guarantees the accuracy of the data contained herein nor assumes any responsibility for errors, omissions or discrepancies. Thomson Gale accepts no payment for listing; and inclusion in the publication of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions.

LIBRARY OF CONGRESS CATALOG CARD NUMBER 76-46132

ISBN 0-7876-7964-X
ISSN 0091-3421

Printed in the United States of America 10987654321

Scope of the Series

CLC provides significant passages from published criticism of works by creative writers. Since many of the authors covered in CLC inspire continual critical commentary, writers are often represented in more than one volume. There is, of course, no duplication of reprinted criticism.

Authors are selected for inclusion for a variety of reasons, among them the publication or dramatic production of a critically acclaimed new work, the reception of a major literary award, revival of interest in past writings, or the adaptation of a literary work to film or television.

Attention is also given to several other groups of writers—authors of considerable public interest—about whose work criticism is often difficult to locate. These include mystery and science fiction writers, literary and social critics, foreign authors, and authors who represent particular ethnic groups.

Each CLC volume contains individual essays and reviews taken from hundreds of book review periodicals, general magazines, scholarly journals, monographs, and books. Entries include critical evaluations spanning from the beginning of an author’s career to the most current commentary. Interviews, feature articles, and other published writings that offer insight into the author’s works are also presented. Students, teachers, librarians, and researchers will find that the general critical and biographical material in CLC provides them with vital information required to write a term paper, analyze a poem, or lead a book discussion group. In addition, complete biographical citations note the original source and all of the information necessary for a term paper footnote or bibliography.

Organization of the Book

A CLC entry consists of the following elements:

vii

COPYRIGHTED MATERIAL IN CLC, VOLUME 194, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Atkinson, Yvonne. From “Language that Bears Witness: The Black English Oral Tradition in the Works of Toni Morrison,” in The Aesthetics of Toni Morrison: Speaking the Unspeakable. Edited by Marc C. Conner. University Press of Mississippi, 2000. Copyright © 2000 by University Press of Mississippi. All rights reserved. Reproduced by permission.— Coetzee, J. M. From Giving Offense: Essays on Censorship. University of Chicago, 1996. Copyright © 1996 by The University of Chicago. All rights reserved. Reproduced by permission. of the author.—Duvall, John N. From The Identifying Fictions of Toni Morrison: Modernist Authenticity and Postmodern Blackness. Palgrave, 2000. Copyright © by John

N. Duvall, 2000. All rights reserved. Reproduced by permission.—Furman, Jan. From Toni Morrison’s Fiction. University of South Carolina Press, 1996. Copyright © 1996, by University of South Carolina. Reproduced by permission.—Grewal, Gurleen. From Circles of Sorrow, Lines of Struggle: The Novels of Toni Morrison. Louisiana State University Press, 1998. Copyright © 1998 by Louisiana State University Press. All rights reserved. Reproduced by permission.—Holloway, Karla F. C. From “The Lyrical Dimensions of Spirituality: Music, Voice, and Language in the Novels of Toni Morrison,” in Embodied Voices: Representing Female Vocality in Western Culture. Edited by Leslie C. Dunn and Nancy A. Jones. Cambridge University Press, 1994. Copyright © Cambridge University Press 1994. Reprinted with the permission of Cambridge University Press.—Hove, Thomas B. From “Toni Morrison,” in Postmodernism: The Key Figures. Edited by Hans Bertens and Joseph Natoli. Blackwell Publishers, 2002. Copyright © Blackwell Publishers Ltd 2002. All rights reserved. Reproduced by permission of Blackwell Publishers.—Jones, Carolyn M. From “Sula and Beloved: Images of Cain in the Novels of Toni Morrison,” in Understanding Toni Morrison’s Beloved and Sula: Selected Essays and Criticisms of the Works by the Nobel Prize-Winning Author. Edited by Solomon O. Iyasere and Marla W. Iyasere. Whitston Publishing Company, 2000. Copyright © 2000 Solomon O. Iyasere and Marla W. Iyasere. Reproduced by permission.— Jones, Carolyn M. “Harper Lee,” in The History of Southern Women’s Literature. Edited by Carolyn Perry and Mary Louise Weaks. Louisiana State University Press, 2002. Copyright © 2002 by Louisiana State University Press. All rights reserved. Reproduced by permission.—Lewis, Barbara Williams. From “The Function of Jazz in Toni Morrison’s ‘Jazz’,” in Toni Morrison’s Fiction: Contemporary Criticism. Edited by David L. Middleton. Garland Publishing, 1997. Copyright © 1997, by David L. Middleton. All rights reserved. Reproduced by permission of Routledge/Taylor & Francis Books, Inc., and the author.—Mufti, Aamir. From “Reading the Rushdie Affair: ‘Islam,’ Cultural Politics, Form,” in The Administration of Aesthetics: Censorship, Political Criticism, and the Public Sphere. Edited by Richard Burt. University of Minnesota Press, 1994. Copyright © 1994 by the Regents of the University of Minnesota. All rights reserved. Reproduced by permission.—Smykowski, Adam. From “Symbolism in Harper Lee’s To Kill a Mockingbird,” www.vanderbilt.edu. Reproduced by permission of the author.—Steinle, Pamela Hunt. From In Cold Fear: ‘The Catcher in the Rye’ Censorship Controversies and Postwar American Character. Ohio State University Press, 2000. Copyright © 2000 by The Ohio State University. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CLC, VOLUME 194, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Lee, Harper, photograph. AP/Wide World Photos. Reproduced by permission.—Morrison, Toni, promoting her new book Love, at a Barnes and Noble store in New York. Copyright © Nancy Kazerman/ZUMA/Corbis. Reproduced by permission.