Criticism > Contemporary Literary Criticism > Kenny, Maurice - Carolyn D. Scott (essay date Winter 1983)
Kenny, Maurice - Carolyn D. Scott (essay date Winter 1983)
Carolyn D. Scott (essay date Winter 1983)
SOURCE: "Baskets of Sweetgrass: Maurice Kenny's Dancing Back Strong the Nation and 'I Am the Sun'," in Studies in American Indian Literature, Vol. 7, No. 1, Winter, 1983, pp. 8-13.
[In the following essay, Scott examines Kenny's focus on nature and concern with community and tradition in Dancing Back Strong the Nation and "I Am the Sun."]
Maurice Kenny's slim volume of only 23 poems, Dancing Back Strong the Nation, now out of print, has its origins, fittingly, in the sacred Longhouse of the Mohawk Nation, oldest in the country, resting on the borders of Canada and the U.S. A second printing adds six more poems, but preserves essentially the same mood and tone of the first. Both volumes move with the mystery of poetry especially found in Mohawk dance and drum rhythms which Kenny believes to be quintessential to his work.
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Criticism
- Paula Gunn Allen (essay date 1978)
- James Ruppert (essay date 1980)
- Carolyn D. Scott (essay date Winter 1983)
- Joseph Bruchac (review date September 1984)
- Edward Butscher (review date March-April 1985)
- Maurice Kenny (essay date February 1986)
- Daniela Gioseffi (review date April 1987)
- Robert L. Berner (review date Autumn 1988)
- Maurice Kenny (essay date Winter 1989)
- Publishers Weekly (review date 11 May 1990)
- Robert L. Berner (review date Winter 1991)
- Robert L. Berner (review date Spring 1992)
- Maurice Kenny (essay date March 1992)
- Lisa A. Mitten (review date 1 February 1993)
- Robert L. Berner (review date Summer 1993)
- Craig S. Womack (essay date 1994)
- Copyright
