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ISSN 0091-3421

Volume 164

Contemporary Literary Criticism

Criticism of the Works of Today’s Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers

Janet Witalec

PROJECT EDITOR

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Editorial

Tom Burns, Jenny Cromie, Kathy D. Darrow, Jeffrey W. Hunter, Justin Karr, Ellen McGeagh, Maikue Vang

Research

Nicodemus Ford, Sarah Genik, Tamara C. Nott, Tracie A. Richardson

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Contemporary Literary Criticism, Vol. 164

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Acknowledgments

The editors wish to thank the copyright holders of the criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of CLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN CLC, VOLUME 164, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Academic Questions, v. viii, Summer, 1995 for “Peter Novick and the ‘Objectivity Question’ in History,” by Henry Ashby Turner, Jr. Reproduced by permission of the author.—America, v. 140, April 7, 1979. © 1979. All rights reserved. Reproduced with permission of America Press, Inc.,106 West 56th Street, New York, NY 10019.—American Book Review,

  • v. 10, March-April, 1988; v. 18, May-June, 1997. Reproduced by permission.—American Journal of Sociology, v. xcv, September, 1989 for a review of “That Noble Dream,” by Stephen Turner. Copyright © 1989 by The University of Chicago. Reproduced by permission.— The American Poetry Review, v. 20, March-April, 1991 for “A Fool’s Paradise,” by Sam Hamill. Reproduced by permission of the author.—Belles Lettres, v. 4, Winter, 1989. Reproduced by permission.— Canadian Journal of History, v. xxv, April, 1990. Reproduced by permission.—Canadian Literature, Winter, 1980 for “The Lion in Winters: Irving Layton at York,” by Irving Layton and David O’Rourke; Autumn, 1983 for “In Debate,” by Anthony John Harding; Autumn, 1992 for “Building Lives,” by Christoph Irmscher; Fall-Winter, 1993 for “Poets & Polis,” by Norman Ravvin. All reproduced by permission of the authors.—Canadian Poetry, Spring-Summer, 1985. Reproduced by permission.—Chicago Tribune Books, April 23, 1995 for “A Pair of Poets Remember in Prose,” by Molly McQuade. © 1995 Tribune Media Services, Inc. All rights reserved. Reproduced by permission of the author.—Christian Century, v. cxvi, October 6, 1999. Reproduced by permission.—Christian Science Monitor, February 12, 1997. © 1997 The Christian Science Publishing Society. All rights reserved. Reproduced by permission from The Christian Science Monitor.—Cineaste,
  • v. 22, Fall, 1996; v. 25, Spring, 2000. Copyright © 1996 by Cinema Guild. Reprinted by permission of the publisher.— Clio, v. xxi, Winter, 1992 for “Objectivity in History: Peter Novick and R. G. Collingwood,” by Joseph M. Levine . © 1992 by Purdue Research Foundation. Reproduced by permission of the author.—Commentary, v. cviii, September, 1999 for “Group Memory” by David G. Roskies. Reproduced by permission of the publisher and the author.—Commonweal, v. lxxxv, November 11, 1966; v. xciv, May 21, 1971; v. cvi, May 25, 1979; v. 112, November 29, 1985; v. cxvi, December 1, 1989; v. cxxvi, August 13, 1999. Copyright © 1979, 1985, 1989, 1999 Commonweal Publishing Co., Inc. All reproduced by permission of Commonweal Foundation.—Contemporary Sociology, v. xix, July, 1990. Copyright © 1990 American Sociological Association. Reproduced by permission of the publisher and the author.—English Historical Review, v. cvi, October, 1991. Reproduced by permission.—Essays on Canadian Writing, Fall, 1992; Summer, 1993; Winter, 1999. © 1992, 1993, 1999 Essays on Canadian Writing Ltd. All reproduced by permission.—The Explicator, v. 54, Spring, 1996. Copyright © 1996 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.— Feminist Studies, v. 7, Summer, 1981; v. 17, Summer, 1991. Both reproduced by permission of Feminist Studies, Inc., Department of Women’s Studies, University of Maryland, College Park, MD 20724.—Film Comment, v. 18, January-February, 1982 for “Redtime,” by David Thomson; v. 20, September-October, 1984 for “As Many Notes as Required” by Harlan Jacobson; v. 20, September-October, 1984 for “Making the Screen Speak” by Peter Shaffer. Copyright © 1982, 1984 by Film Comment Publishing Corporation. All reproduced by permission of the authors.—Film Quarterly, v. 21, Fall, 1967 for a review of “Loves of a Blonde,” by Claire Clouzot. Copyright © 1967 by The Regents of the University of California. Reproduced by permission of the publisher and the author.—The Georgia Review, v. xlii, Summer, 1988; v. 43, Summer, 1989; v. xlv, Spring, 1991; v. 51, Summer, 1997. Copyright, 1988, 1989, 1991, 1997 by the University of Georgia. All reproduced by permission. —Historical Methods, v. xxvi, Fall, 1993. Copyright © 1993 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—Hudson Review, v. xli, Summer, 1988; v. xlii, Autumn, 1989; v. 48, Spring, 1995; v. 50, Spring, 1997. Copyright © 1988, 1989, 1995, 1997 by The Hudson Review, Inc. All reproduced by permission.—Hypatia, v. 6, Summer, 1991; v. 6, Fall, 1991; v. 8, Fall, 1993; v. 9, Fall, 1994; v. 10, Spring, 1995; v. 13, Spring, 1998. All reproduced by permission.—Journal of American History, v. lxxvi, December, 1989; v. 84, December, 1997; v. lxxxvii, December, 2000. Copyright Organization of American Historians, 1997.
  • Reproduced by permission.— Journal of Economic History, v. xlix, September, 1989 for a review of “That Noble Dream,” by Geoffrey Elton. Reproduced by permission of Cambridge University Press and the author.—Journal of Modern History, v. lxii, June, 1990 for a review of “That Noble Dream,” by John Hingham. Copyright © 1990 by The University of Chicago. Reproduced by permission of the author.—Journal of Women’s History, v. iv, Spring, 1992. Reproduced by permission.—Judaism, v. l, Winter, 2000; v. l, Spring, 2001. Both reproduced by permission.— The Kenyon Review, v. ix, Fall, 1991 for “A Multitude of Dreams,” by Marilyn Nelson Wane. Copyright © 1991 by Kenyon College. All rights reserved. Reproduced by permission of the author.—Literature/Film Quarterly, v. 26, January, 1998. © copyright 1998 Salisbury State College. Reproduced by permission.—London Review of Books, v. xxii, January 6, 2000 for “How the Arab-Israeli War of 1967 Gave Birth to a Memorial Industry” by Norman Finkelstein. Appears here by permission of the London Review of Books and the author.—Los Angeles Times, March 15, 1979; November 15, 1981; September 19, 1984. Copyright, 1979, 1981, 1984 Los Angeles Times. All reproduced by permission.—MELUS, v. 21, Spring, 1996; v. 25, Fall-Winter, 2000. Copyright, MELUS: The Society for the Study of Multi-Ethnic Literature of the United States, 1996, 2000. Both reproduced by permission.—Modern Judaism, v. xxi, May, 2001 for a review of “The Holocaust in American Life,” by Steve Hochstadt. Reproduced by permission of the author.—National Review, v. xxxiv, February 2, 1982; June 28, 1999. Copyright © 1982, 1999 by National Review, Inc, 215 Lexington Avenue. New York, NY 10016. Both reproduced by permission.—New Leader, v. lxv, January 25, 1982; v. lxxii, June 14, 1999. © 1982, 1999 by The American Labor Conference on International Affairs, Inc. Both reproduced by permission.—New Republic, v. 164, April 24, 1971; v. 180, April 14, 1979; v. 191, October 22, 1984; v. cc, February 20, 1989; v. 201, December 11, 1989; v. ccxxi, July 19-26, 1999. © 1971, 1979, 1984, 1989, 1999 The New Republic, Inc. All reproduced by permission of The New Republic.—New Statesman, v. 71, May 20, 1966; v. 91, February 27, 1976; v. 129, May 8, 2000. © 1966, 1976, 2000 Statesman & Nation Publishing Company Limited. All reproduced by permission.—New Statesman & Society, v. 4, November 22, 1991. © 1991 Statesman & Nation Publishing Company Limited. Reproduced by permission.—New York Review of Books, v. 23, February, 1976; Copyright © 1976, Nyrev, Inc. Reproduced with permission from The New York Review of Books.—New York Times, August 3, 1997 for “Natural Virtues,” by Richard Tillinghast. Copyright © 1997 by The New York Times Company. Reproduced by permission of the author.—New York Times Book Review, January 27, 1991 for “Sons, Lovers, Immigrant Souls,” by Carol Muske. Copyright © 1991 by The New York Times Company. Reproduced by permission of the author.—Partisan Review, v. lxvii, Summer, 2000 for “Explaining the Holocaust?” by Jeffrey Herf. Reproduced by permission of the author.—Philosophy Today, v. 36, Fall, 1992. Reproduced by permission.— Poetics Today, v. xi, 1990. Copyright © 1990 by The Porter Institute for Poetics and Semiotics, Tel Aviv University. All rights reserved. Reproduced by permission.—Poetry, v. clvi, April, 1990 for a review of “Nature,” by Henri Cole; v. clviii, June, 1991 for “Culture, Inclusion, Craft,” by David Baker; v. clxi, November, 1992 for “Ecstasy and Irony,” by David Baker; v. 172, June, 1998 for a review of “Connecting the Dots,” by Ben Howard. © 1990, 1991, 1992, 1998 by the Modern Poetry Association. All reproduced by permission of the Editor of Poetry and the authors.—Prairie Schooner, v. 63, Winter, 1989; v. 63, Fall, 1989. © 1989 by University of Nebraska Press. Both reproduced from Prairie Schooner by permission of the University of Nebraska Press.—Publisher’s Weekly, v. 248, July 9, 2001. Copyright 2001 by Reed Publishing USA. Reproduced from Publishers Weekly, published by the Bowker Magazine Group of Cahners Publishing Co., a division of Reed Publishing USA., by permission.—Reason, v. 28, January, 1997. Copyright 2002 by Reason Foundation, 3415 S. Sepulveda Blvd, Suite 400, Los Angeles, CA 20034. Reproduced by permission.—Reviews in American History, v. xvii, December, 1989. © The Johns Hopkins University Press. Reproduced by permission.—Saturday Night, v. 111, March, 1996 for “Irving Layton, Leonard Cohen, and other Recurring Nightmares,” by David Layton. Copyright © 1996 by Saturday Night. Reproduced by permission of the author.— The Sewanee Review, v. xcvi, Fall, 1988. Copyright © 1988 by The University of the South. Reproduced with permission of the editor and the author.Sight & Sound, v. 35, Winter, 1965-1966; v. 40, Autumn, 1971; v. 54, Spring, 1985; v. 7, March, 1997; v. 10, April, 2000. Copyright © 1965-1966, 1971, 1985, 1997, 2000 by The British Film Institute. All reproduced by permission.—Signs, v. 7, Autumn, 1981; v. 17, Autumn, 1991. Reproduced by permission. Copyright © 1981, 1991 by The University of Chicago. Both reproduced by permission.—Smithsonian, v. 18, November, 1987 for a review of “in Deep: Country Essays,” by William Dieter. Reproduced by permission of the author.—Southern Humanities Review, v. xxii, Spring, 1988. Copyright 1988 by Auburn University. Reproduced by permission.—Studies in Canadian Literature, v. 10, 1985; v. 13, 1988. Copyright by the authors. Both reproduced by permission of the editors.—Studies in Short Fiction, v. 33, Fall, 1996. Copyright 1996 by Newberry College. Reproduced by permission.—Times Literary Supplement, November 29, 1991; October 7, 1994; April 18, 1997. © The Times Supplements Limited 1991, 1994, 1997. All reproduced from The Times Literary Supplement by permission.—Triquarterly, Fall, 1990. © 1990 by TriQuarterly, Northwestern University. Reproduced by permission of the author.—Twentieth Century Literature, v. 46, Winter, 2000. Copyright 2000, Hofstra University Press. Reproduced by permission.—University of Toronto Quarterly, v. 56, Spring, 1987; v. 60, Fall, 1990. © University of Toronto Press 1987, 1990. Both reproduced by permission of University of Toronto Press Incorporated.— Virginia Quarterly Review, v. lxxvi, Summer, 2000. Copyright, 2000, by The Virginia Quarterly Review, The University of Virginia. Reproduced by permission of the publisher.—Wilson Library Bulletin, v. 62, November, 1987 for a review of “In Deep: Country Essays” by Peg Pandnos. Reproduced by permission of the author.—The Women’s Review of Books, v. iv, November, 1986 for a review of “The Long Approach,” by Carole Maso; v. ix, May, 1992 for “Creatures Comfort,” by Diana Hume George; v. xiv, October, 1996 for “Only Connect,” by Florence Howe; v. xviii, April, 2001 for “Charmed Life,” by Judith Barrington. Copyright © 1986, 1992, 1996, 2001. All rights reserved. All reproduced by permission of the authors.—World Literature Today, v. 65, Autumn, 1991; v. 72, Summer, 1998; v. 73, Spring, 1999. Copyright 1991, 1998, 1999 by the University of Oklahoma Press. All reproduced by permission of the publisher.

    COPYRIGHTED MATERIAL IN CLC, VOLUME 164, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

    MacDonald, George B. From A Casebook on Ken Kesey’s “One Flew Over the Cuckoo’s Nest.” Edited by George J. Searles. University of New Mexico Press, 1992. Copyright © 1992 by University of New Mexico Press. All rights reserved. Reproduced by permission.— Schor, Naomi. From Engaging with Irigaray: Feminist Philosophy and Modern European Thought. Columbia University Press, 1994. Copyright © 1994 by Columbia University Press. All rights reserved. Reproduced by permission.—Trehearne, Brian. From Inside the Poem: Essays and Poems in Honour of Donald Stephens. Oxford University Press, 1992. Copyright © 1992 by Oxford University Press. All rights reserved. Reproduced by permission of the author.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CLC, VOLUME 164, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    —Forman, Milos, directing the film Valmont, 1989, photograph. The Kobal Collection. Reproduced by permission.— Kumin, Maxine, photograph. AP/Wide World Photos. Reproduced by permission.—Layton, Irving. Aviva Layton. John Reeves. Reproduced by permission.

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    Dr. Toby Burrows Mary Jane Marden

    Principal Librarian Literature and General Reference Librarian

    The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

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    David M. Durant

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    East Carolina University University of North Carolina at Greensboro

    Steven R. Harris Gwen Scott-Miller

    English Literature Librarian Fiction Department Manager University of Tennessee Seattle Public Library