Criticism > Contemporary Literary Criticism > Hurston, Zora Neale (Vol. 30) - Worth Tuttle Hedden
Hurston, Zora Neale (Vol. 30) - Worth Tuttle Hedden
WORTH TUTTLE HEDDEN
Though "Seraph on the Suwanee" is the love story of a daughter of Florida Crackers and of a scion of plantation owners, it is no peasant-marries-the prince tale. Arvay Henson, true Cracker in breeding, is above her caste in temperament; James Kenneth Meserve is plain Jim who speaks the dialect and who has turned his back on family, with its static living in the past, to become foreman in a west Florida turpentine camp. Neither is it a romance of the boy-meets-girl school. Beginning conventionally enough with a seduction (a last minute one when Arvay is in her wedding dress), it ends twenty-odd years later when the protagonists are about to be grandparents. In this denouement the divergent lines of Miss Hurston's astonishing, bewildering talent meet to give us a reconciliation scene between a middle-aged man and a middle-aged woman that is erotically exciting and a description of the technique of shrimping that is meticulously exact. Emotional,...
[The entire page is 584 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Fannie Hurst
- Josephine Pinckney
- Margaret Wallace
- H. I. Brock
- Franz Boas
- Thomas Caldecot Chubb
- The Times Literary Supplement
- Nick Aaron Ford
- Sheila Hibben
- Richard Wright
- Otis Ferguson
- Sterling Brown
- Carl Carmer
- Percy Hutchison
- Carl Carmer
- Philip Slomovitz
- Arna Bontemps
- Beatrice Sherman
- Worth Tuttle Hedden
- Darwin T. Turner
- Addison Gayle, Jr.
- Theresa R. Love
- Robert E. Hemenway
- Sherley Anne Williams
- Roger Sale
- Alice Walker
- John Roberts
- Lillie P. Howard
- Cheryl A. Wall
- Copyright
