Hurston, Zora Neale (Vol. 30) | Sherley Anne Williams
SHERLEY ANNE WILLIAMS
Hurston's evocations of the lifestyles of rural blacks [in Their Eyes Were Watching God] have not been equaled; but to stress the ruralness of Hurston's settings or to characterize her diction solely in terms of exotic "dialect" spellings is to miss her deftness with language. In the speech of her characters, black voices—whether rural or urban, northern or southern—come alive. Her fidelity to diction, metaphor, and syntax—whether in direct quotations or in paraphrases of characters' thoughts—rings, even across forty years, with an aching familiarity that is a testament to Hurston's skill and to the durability of black speech. Yet Zora's personality and actions were so controversial that for a long time she was remembered more as a character of the Renaissance than as one of the most serious and gifted artists to emerge during this period. She was a notable tale-teller, mimic, and wit, confident to the point of brashness...
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