Criticism > Contemporary Literary Criticism > Hagedorn, Jessica - Copyright Page

Criticism of the Works of Today’s Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers

Tom Burns and Jeffrey W. Hunter

PROJECT EDITORS

Acknowledgments

The editors wish to thank the copyright holders of the criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of CLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN CLC, VOLUME 185, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Amerasia Journal, v. 20, 1994; v. 21, winter, 1995-1996; v. 24, 1998. Copyright © 1994, 1995-6, 1998 by The Regents of the University of California. All rights reserved. All reproduced by permission.—American Journal of Philology, v. 111, fall, 1990. Copyright © 1990 by The Johns Hopkins University Press. Reproduced by permission of The Johns Hopkins University Press.—American Spectator, v. 25, December, 1992. Copyright © The American Spectator 1992. Reproduced by permission.—Antioch Review, v. 55, spring, 1997; v. 57, winter, 1999; v. 61, spring 2003. Copyright © 1997, 1999, 2003 by the Antioch Review Inc. All reproduced by permission of the Editors.—Atlantic Monthly, v. 275, February, 1995 for “Review of The Black Book, by Orhan Pamuk” by Phoebe-Lou Adams. Copyright 1995, by Atlantic Monthly. Reproduced by permission of the Literary Estate of Phoebe-Lou Adams.—Books and Culture, v. 9, March-April 2003 for “The Re-Invention of Love” by Alan Jacobs. Reproduced by permission of the author.—Canadian Literature, no. 144, spring, 1995 for “Transformations” by Alexander M. Forbes; no. 151, winter, 1996 for “What I’m Doing Here” by Norman Ravvin. Both reproduced by permission of the respective authors./no. 159, winter, 1998; nos. 161-162, summer-autumn, 1999; no. 166, autumn, 2000; no. 169, summer, 2001. All reproduced by permission.—Chicago Tribune Books, September 23, 2001 for “Perceptions of East and West” by Melvin Jules Bukiet. Reproduced by permission of the author.—Christian Science Monitor, v. 83, April 12, 1991 for “Catch a Turkish Story Star” by Mary Warner Marien; v. 93, October 11, 2001 for “The Deadly Art of Portraits” by Char Simons. Both reproduced by permission of the respective authors./v. 89, April 23, 1997. Copyright 1997, by The Christian Science Publishing Society. Reproduced by permission.—Classical and Modern Literature, v. 20, winter, 2000 for “Review of Economy of the Unlost, by Anne Carson” by Robert Lamberton. Reproduced by permission of the author.—Commentary, v. 99, January 1995 for “Bad Trip” by Edward Alexander. Reproduced by permission of the publisher and the author.—Critique, v. 42, winter, 2001; v. 43, spring, 2002. Copyright © 2002 by Helen Dwight Reid Educational Foundation. Both reproduced by permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—Denver Quarterly, v. 32, summer-fall, 1997 for “This Cold Hectic Dawn and I” by Jeff Hamilton. Reproduced by permission of the author.— Essays on Canadian Writing, v. 65, fall, 1998. Copyright © 1998 Essays on Canadian Writing Ltd. Reproduced by permission.—Georgia Review, v. 47, fall, 1993 for “Skating on Paper” by Judith Kitchen. Copyright © 1993 by the University of Georgia. Reproduced by permission.—Grand Street, v. 6, spring, 1987. Reproduced by permission.—Hollins Critic, v. 38, February, 2001. Copyright 2001 by Hollins College. Reproduced by permission.—Iowa Review, v. 29, spring, 1999 for “Erotic Sufferings: Autobiography of Red and Other Anthropologies” by Sharon Wahl. Reproduced by permission of the author.—Kenyon Review, v. 24, spring, 2002 for “Story’s Stories” by David Baker. Reproduced by permission of the author.—London Review of Books, v. 14, August 20, 1992; v. 17, October 5, 1995; v. 22, October 5, 2000. All appear here by permission of the London Review of Books.—Los Angeles Times Book Review, June 21, 1992; December 25, 1994; January 22, 1995; June 8, 1997; January 25, 1998; October 7, 2001. Copyright, 1992, 1994, 1995, 1997, 1998, 2001 by Los Angeles Times. All reproduced by permission.—Maclean’s, v. 110, October 13, 1997 from “’Do Not Go Gently ©’” by John Bemrose. Reproduced by permission of the author./v. 114, July 16, 2001; v. 115, June 24, 2002. Copyright © 2001 by Maclean’s Magazine. Both reproduced by permission.—MELUS, v. 18, winter, 1993-1994. Copyright, MELUS: The Society for the Study of Multi-Ethnic Literature of the United States, 1993. Reproduced by permission.—Michigan Quarterly Review, v. 41, spring, 2002 for “Post-Love Poetry” by Roger Gilbert. Reproduced by permission of the author.— Midwest Quarterly, v. 38, winter, 1997. Copyright © 1997 by The Midwest Quarterly, Pittsburgh State University. Reproduced by permission.—Modernism/Modernity, v. 7, April, 2000. Copyright 2000 by The Johns Hopkins University Press. Reproduced by permission of The Johns Hopkins University Press.—National Review, v. 44, July 6, 1992; v. 46, December 19, 1994. Copyright © 1992, 1994 by National Review, Inc., 215 Lexington Avenue. New York, NY 10016. Both reproduced by permission.—New Criterion, v. 16, February, 1998 for “Boy Meets Girl in Montreal” by Mark Steyn;

v. 20, September, 2001 for “Mordecai Richler, 1931-2001” by Mark Steyn. Copyright © 2001 by The Foundation for Cultural Review. Both reproduced by permission of the author.—New Leader, v. 75, July 13, 1992; v. 80, December 29, 1997; v. 83, March-April, 2000; v. 84, September-October, 2001. © 1992, 1997, 2000, 2001, by The American Labor Conference on International Affairs, Inc. All reproduced by permission.—New Literary History, v. 34, winter, 2003. Copyright © 2003 by The Johns Hopkins University Press. Reproduced by permission of The Johns Hopkins University Press.—New Perspectives Quarterly, v. 17, spring, 2000. Copyright 2000, by New Perspectives Quarterly. Reproduced by permission of Blackwell Publishers.—New Republic, v. 205, September 9, 1991; v. 227, October 7, 2002. © 1991, 2002 The New Republic, Inc. Both reproduced by permission of The New Republic.—New Statesman, v. 126, October 31, 1997. © 1997 Statesman & Nation Publishing Company Limited. Reproduced by permission.—New Statesman and Society, v. 4, July 12, 1991; v. 8, July 7, 1995. © 1991, 1995 Statesman & Nation Publishing Company Limited. Both reproduced by permission.—New York Review of Books, v. 45, March 5, 1998; v. 45, November 19, 1998. Copyright © 1998 Nyrev, Inc. Both reproduced by permission from The New York Review of Books.—New York Times Book Review, October 5, 2003. Reproduced with permission from The New York Book Review.—PN Review, v. 27, May-June, 2001 for “Anne Carson: Addressing the Wound” by David C. Ward. Reproduced by permission of the author.—Poetry, v. 168, August, 1996 for “Looks of Memory and Desire” by Sandra M. Gilbert. © 1996 by the Modern Poetry Association. Reproduced by permission of the Editor of Poetry and the author.—Poets & Writers, v. 29, March-April 2001. Reproduced by permission.— Publishers Weekly, v. 241, December 19, 1994; v. 247, April 3, 2000; v. 250, August 4, 2003. Copyright 1994, 2000, 2003 by Reed Publishing USA. All reproduced from Publishers Weekly, published by the Bowker Magazine Group of Cahners Publishing Co., a division of Reed Publishing USA, by permission.—Raritan, v. 16, fall, 1996. Copyright © 1996 by Raritan: A Quarterly Review. Reproduced by permission.—Review of Contemporary Fiction, v. 15, fall, 1995; v. 18, fall, 1998;

v. 21, fall, 2001. All reproduced by permission.—Solidarity, v. 127, July-September, 1990 for “Bangungot and the Philippine Dream in Hagedorn” by Leonard Casper. Reproduced by permission of author.—Southern Review, Louisiana State University, v. 37, autumn, 2001 for “Notes on Some Recent Poetry” by John Burt. Copyright, 2001, by John Burt. Reproduced by permission of the author.—Spectator, v. 269, September 26, 1992; v. 275, August 19, 1995; v. 279, October 4, 1997; v. 287, August 4, 2001. Copyright © 1992, 1995, 1997, 2001 by The Spectator. All reproduced by permission of The Spectator.—Theatre Journal, v. 53, December, 2001. Copyright © 2001, University and College Theatre Association of the American Theatre Association. Reproduced by permission of The Johns Hopkins University Press.—Times Literary Supplement, no. 4617, September 27, 1991; no. 4814, July 7, 1995; no. 4927, September 5, 1997; no. 4932, October 10, 1997; no. 5006, March 12, 1999; no. 5121, May 25, 2001; no. 5136, September 7, 2001. Copyright © The Times Supplements Limited 1997. Reproduced from The Times Literary Supplement by permission.—University of Toronto Quarterly, v. 70, fall, 2001. Copyright © University of Toronto Press 2001. Reproduced by permission of University of Toronto Press Incorporated.—Washington Post Book World, v. 24, October 30, 1994 for “A Special Relationship” by David Rieff; v. 27, July 13, 1997 for “Falling between the Pages” by Bradford Morrow; v. 31, September 2, 2001 for “Getting Real” by Adam Kirsch. Both reproduced by permission of the respective authors.—Women’s Review of Books, v. 14, November, 1996 for “Disharmonies of Desire” by Elisabeth Frost; v. 19, October, 2001 for “Literate Obsessions” by Priscilla Long. Copyright 1996, 2001 by Women’s Review of Books. All rights reserved. Both reproduced by permission of the respective authors.— World Literature Today, v. 65, autumn, 1991; v. 66, winter, 1992; v. 73, winter, 1999. Copyright 1991, 1992, 1999 by the University of Oklahoma Press. All reproduced by permission of the publisher.

COPYRIGHTED MATERIAL IN CLC, VOLUME 185, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Balce, Nerissa S. From “Dogeaters, by Jessica Hagedorn,” in A Resource Guide to Asian American Literature. Edited by Sau-ling Cynthia Wong and Stephen H. Sumida. Modern Language Association of America, 2001. Reproduced by permission of the Modern Language Association of America.—Brenner, Rachel Feldhay. From Assimilation and Assertion: The Response to the Holocaust in Mordecai Richler’s Writing. Peter Lang, 1989. Copyright © 1989, Peter Lang Publishing, Inc. All rights reserved. Reproduced by permission.—Calotychos, Vangelis. From “Thorns in the Side of Venice? Galanaki’s Pasha and Pamuk’s White Castle in the Global Market,” in Greek Modernism and Beyond. Edited by Dimitris Tziovas. Rowman & Littlefield Publishers, 1997. All right reserved. Reproduced by permission.—Craniford, Ada. From “Solomon Gursky Was Here: Fiction or Fact?” in Fiction and Fact in Mordecai Richler’s Novels. The Edwin Mellen Press, 1992. Copyright © 1992, The Edwin Mellen Press. All right reserved. Reproduced by permission.—Damon, Maria. From “Kozmic Reappraisals: Revising California Insularity,” in Women Poets of the Americas: Toward a Pan-American Gathering. Edited by Jacqueline Vaught Brogan and Cordelia Chavez Candelaria. University of Notre Dame Press, 1999. Reproduced by permission.—Lawsin, Emily Porcincula. From “Jessica Hagedorn: Interview by Emily Porcincula Lawsin,” in Words Matter: Conversations with Asian American Writers. Edited by King-Kok Cheung. University of Hawaii Press, 2000. Reproduced by permission.—Lee, Rachel C. From The Americas of Asian American Literature: Gendered Fictions of Nation and Transnation. Princeton University Press, 1999. Copyright © 1999 by Princeton University Press. Reproduced by permission.—Lowe, Lisa. From “Decolonization, Displacement, Disidentification: Asian American ‘Novels’ and the Question of History,” in Cultural Institutions of the Novel. Edited by Deidre Lynch and William B. Warner. Duke University Press, 1996. Copyright © 1996 by Duke University Press, Durham, NC. Reproduced by permission.—Richler,

Mordecai, and Robyn Gillam. From “Versions of the Truth,” in The Power to Bend Spoons: Interviews with Canadian Novelists. Edited by Beverley Daurio. The Mercury Press, 1998. Copyright © 1998, The Mercury Press. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CLC, VOLUME 185, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Carson, Anne, photograph. AP/Wide World Photos. Reproduced by permission.—Hagedorn, Jessica, photograph by Karen Dacker. Reproduced by permission.—Pamuk, Orhan, photograph by Sophie Bassouls. © Corbis. Reproduced by permission.—Richler, Mordecai, photograph. © Jerry Bauer. Reproduced by permission.

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