Criticism > Contemporary Literary Criticism > Golding, William (Vol. 17) - R. C. Townsend
Golding, William (Vol. 17) - R. C. Townsend
R. C. TOWNSEND
Presumably one starts with the hope—if not the belief—that Golding's thesis [in Lord of the Flies] is wrong, that finally man is more than a beast…. [But] it becomes clear how unsure Golding is of that thesis and of his ability to make his fable suggest it. He thinks he would be unable (or he knows we would be unwilling) to move from the terms of one to those of the other and so he continually makes the jump for us. Thus Ralph and Jack become, he tells us, "two continents of experience and feeling, unable to communicate" and are later opposed as "the brilliant world of hunting, tactics, fierce exhilaration, skill" and the "world of longing and baffled commonsense."… At one point Simon tries "to express man's essential illness," and the eyes of the pig's head into which he gazes are "dim with the infinite cynicism of adult life"; at another point Sam and Eric protest, Golding says, "out of the heart of civilization." And on the final...
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