Golding, William (Vol. 17) - Louis J. Halle
LOUIS J. HALLE
One is impressed by the possibilities of [Golding's theme in "Lord of the Flies"] for an expression of the irony and tragedy of man's fate. Against his majority of little savages he places a remnant that convincingly represents the saving element of human heroism, thereby posing the eternal moral conflict. But he cannot quite find his meaning in this material. The heroes come to a bad end, having contributed nothing to such salvation as the society achieves. There is a great deal of commotion, and the last page is nothing more than a playwright's contrivance for bringing down the curtain. One is left asking: What was the point?…
In Mr. Golding's novel … the novelist's vision conflicts with that of the textbook anthropologist. The novelist sees good opposed to evil; he recognizes the existence and the utility of heroes. But the social scientist deals only with amoral phenomena. In his termite society the novelist's heroes are social misfits...
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