Criticism > Contemporary Literary Criticism > Golding, William (Vol. 17) - Joyce Carol Oates
Golding, William (Vol. 17) - Joyce Carol Oates
JOYCE CAROL OATES
[Darkness Visible] is a difficult and in many ways a painful novel to assess…. The melodramatic plot, unwisely borrowed from Iris Murdoch, escalates frantically and becomes, at the end, not even trashily cinematic so much as electronic: Sophy and her kidnapper cohorts, Toni and her clichés about freedom and justice, are imaginable, if not credible, only as elements in a situation comedy gone askew. (p. 32)
Golding's embarrassing fictional stereotypes … and his heavy-handedly ironic attempt to create a visionary-moron … might be halfway redeemed if presented, as Iris Murdoch's similarly caricatured people often are, in witty or cogent or intelligent prose; but Golding's style here is flaccid and indifferent, and appears at times to function as little more than a means for revealing the author's contempt for his characters….
Golding's theology, presented fairly explicitly in his earlier, more parable-like novels, does...
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