Criticism > Contemporary Literary Criticism > Golding, William (Vol. 17) - James Stern
Golding, William (Vol. 17) - James Stern
JAMES STERN
"Lord of the Flies" is an allegory on human society today, the novel's primary implication being that what we have come to call civilization is, at best, no more than skin-deep. With undertones of [George Orwell's] "1984" and [Richard Hughes's] "High Wind in Jamaica," this brilliant work is a frightening parody on man's return (in a few weeks) to that state of darkness from which it took him thousands of years to emerge.
Fully to succeed, a fantasy must approach very close to reality. "Lord of the Flies" does. It must also be superbly written. It is. If criticism must be leveled at such a feat of the imagination, it is permissible perhaps to carp at the very premise on which the whole strange story is founded.
How did these children come to be on the island at all? And why, among them, were there no grown-ups? Although Mr. Golding's answer is simple, it may not convince everyone. The boys have been "dropped" in the "passenger tube" of a...
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