Criticism > Contemporary Literary Criticism > Golding, William (Vol. 17) - C. B. Cox
Golding, William (Vol. 17) - C. B. Cox
C. B. COX
Lord of the Flies is probably the most important novel to be published in this country in the 1950s. A story so explicitly symbolic as this might easily become fanciful and contrived, but Golding has mastered the art of writing a twentieth century allegory. (p. 112)
The idea of placing boys alone on an island, and letting them work out archetypal patterns of human society, is a brilliant technical device, with a simple coherence which is easily understood by a modern audience. Its success is due in part to the quality of Golding's Christianity…. In development of plot, descriptions of island and sea, and treatment of character, he explores actual life to prove dramatically the authenticity of his religious viewpoint.
Lord of the Flies is a gripping story which will appeal to generations of readers…. [To] succeed, a good story needs more than sudden deaths, a terrifying chase and an unexpected conclusion. Lord of the...
[The entire page is 622 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Louis J. Halle
- James Stern
- John Peter
- Norman Podhoretz
- V. S. Pritchett
- Frank Kermode
- Mary Renault
- Peter Green
- C. B. Cox
- Michael Quinn
- Terry Southern
- Frank J. Warnke
- V. S. Pritchett
- Nigel Dennis
- Frank Kermode
- William Barrett
- R. C. Townsend
- Gladys Veidemanis
- James R. Baker
- Christopher Ricks
- J. D. O'Hara
- Harry H. Taylor
- D. W. Crompton
- Roderick Nordell
- David Spitz
- Stanley Cook
- James R. Baker
- P. N. Furbank
- A. C. Capey
- James Acheson
- Ronald Blythe
- Paul Ableman
- John Calvin Batchelor
- Joyce Carol Oates
- Copyright
