Criticism > Contemporary Literary Criticism > Gary, Romain - Jean Garrigue
Gary, Romain - Jean Garrigue
JEAN GARRIGUE
[The Company of Men deals with the] wake of wild boys—"orphans of the state"—in France, during that postwar interim when living conditions had arrived at a kind of classic hopelessness. There have been other French novels on the same theme, but The Company of Men, taking off from the hardboiled American novel, arrives at a kind of brilliant freedom and boldness, combining realism with a delicacy of fantasy and imagination that makes for an exhilarating effect. Certain techniques, too—the way the short scene is focused upon, given a wring or twist, and then dropped, its barbed point still quivering—bring to mind the movie technique at its brightest—Chaplin here, Jean Vigo in France.
The first-person narration gives it another kind of leeway. Told by a young kid, twelve when his record begins, seventeen at the end when he is ready to join the company of men, the style is appropriately direct, slangy and bold. Getting around...
[The entire page is 431 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Jean Garrigue
- Earl W. Foell
- Henri Peyre
- The Times Literary Supplement
- Frederic Morton
- Charles Rolo
- Curtis Cate
- Charles C. Lehrmann
- William Barrett
- Henri Peyre
- Pamela Marsh
- Auberon Waugh
- David Leitch
- Roland A. Champagne
- Barbara Wright
- Daphne Merkin
- John Naughton
- Patrick Breslin
- G. MERMIER and F. COHEN
- Ted R. Spivey
- Sergio Villani
- G. Mermier
- John Weightman
- Daniel E. Rivas
- Copyright
